PPT-Marxist Criticism

Making Marxism Mutual Karl Marx Troy L Leon Trotsky Sandon B Vladimir Lenin John S Who was Karl Marx What is Marxism Who were the Marxists HowWhen do we see Marxist . Notes for the Director. OVERVIEW. Every production engenders a response. Directors need to grow by listening seriously and . thoughfully. to the feedback your production generates. Performance. A production is never finished until an audience watches and . - Marxist Approach Periklis Pavlidis Aristotle University of Thessaloniki, Greece Periklis Pavlidis Page | 75 Introduction Admitting that the peculiarity of education doesn’t merely lie in Dr. Maier. Aristotle: . Poetics. First significant work of literary criticism . Authored in 335 B.C. . Pity and Fear (Eleos and Phobos) . Catharsis. Mimesis. A Multiplicity of Approaches. Literary critics are almost never unified in their interpretation of a novel or any literary work. Why do you suppose this is the case? What factors make it virtually impossible for critics to come to a consensus regarding the meaning of a literary work? . English 113. Literature-Based Research. Suzann Ledford. Introduction to Literary Criticism. Literary criticism has two main functions:. To analyze, study, and evaluate works of literature.. To form general principles for the examination of works of literature.. Mo money, mo problems!. "Marxism attempts to reveal the ways in which our socioeconomic system is the ultimate source of our experience" (Tyson 277. ).. "...what drives historical change are the material realities of the economic base of society, rather than the ideological superstructure of politics, law, philosophy, religion, and art that is built upon that economic base" (Richter 1088).. Unit 1. Term 1 2013-2014. 6B1/6B2. Marxism,. Marxist Literary Theory and Brown Girl Brownstones. Briefly outline the history of the theory.. Explain the basic concepts of Marxist Criticism.. Evaluate the theory for its implications in literature as it concerns the text.. Have you ever been so involved in watching a movie that you react emotionally or feel a part of the action?. If so, then you have been deeply involved with a work of art.. After you see a new movie or TV program you might recommend it to a friend or tell them not to waste their time. You are judging the show and making decisions about why it was a failure or success. . -Based on philosophy of Karl Marx (1818-1883). -German philosopher and economist. “Whoever controls the means of production (factories) in a society controls society.”. What do Marxists believe?. It . fulfills the same function as pain in the human body. . It . calls attention to an unhealthy state of things.” . - Winston Churchill. What is Constructive Criticism?. Feedback about someone else’s work. Unit 1. Term 1 2013-2014. 6B1/6B2. Marxism,. Marxist Literary Theory and Brown Girl Brownstones. Briefly outline the history of the theory.. Explain the basic concepts of Marxist Criticism.. Evaluate the theory for its implications in literature as it concerns the text.. Discuss Marxist View of . The Giving Tree. Mr. Murphy’s Story Time! (part 2) – . Green Eggs and Ham. Notes: Psychoanalytic Criticism. Supplemental Reading: Psychoanalytic Criticism. Discuss Psychoanalytic View of . lenses. . applied to an object under consideration; they bring certain qualities into focus or call our attention to particular issues.. . Why do we use different forms of criticism?. Literary criticism is an extension of the social activity of interpreting. One reader writes down his or her views on what a particular work of literature means so that others can respond to that interpretation. The critic's specific purpose may be to . Literary theory and criticism are interpretive tools that help us think more deeply and insightfully about the literature that we read. Over time, different schools of literary criticism have developed, each with its own approaches to the act of reading.. Dead Poet’s Society. Step 1: Explore the various "levels of the mind" as they relate to characters or mass psychology in the literature. Freud separated the mind's force into a trinity: id (instinct of character), ego (realistic part of the character) and superego (moralizing part of the character). The way characters use these three mental powers to navigate life's events is central to a Freudian analysis..