The Process amp The People Lorene M Wales PhD LEGAL ISSUES 2017 Taylor amp Francis Types of Intellectual Property Patents Trademarks Copyrights Unfair Competition Trade Secrets 2017 Taylor amp Francis ID: 782191
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The Complete Guide to Film & Digital Production:The Process & The PeopleLorene M. Wales, Ph.D.
LEGAL ISSUES
© 2017 Taylor & Francis
Slide2Types of Intellectual PropertyPatentsTrademarks
CopyrightsUnfair Competition
Trade Secrets
© 2017 Taylor & Francis
Slide3Types of PatentsUtility
Plant (literally, agriculture)
Design© 2017 Taylor & Francis
Slide4Utility PatentAny new
and useful
process, machine, composition of matter, or any new and useful improvement thereof, may obtain a …(35 U.S.C. § 101)
© 2017 Taylor & Francis
Slide5Design PatentsWhoever invents any new, original, and ornamental design
for an article of manufacture may obtain a patent. (35 U.S.C. § 171)
© 2017 Taylor & Francis
Slide6What Is A Patent?
Grant
by the U.S. Government to provide individuals legal protection for their discoveries (inventions).
Gives the owner the right to prevent others from making, using or selling the
invention
.
© 2017 Taylor & Francis
Slide7Life & DurationUtility patent
17
years from date of issue if application filed before June 95
or
20
years from date of filing application
after
June 95
Effective only in the U.S. (foreign patent applications filed separately).
© 2017 Taylor & Francis
Slide8Requirements for a PatentTo obtain a patent, the new invention must be:
Novel – not known or used in this country and not published anywhere.
Nonobvious – cannot be an obvious way to do something.Useful – must have some application, even if not commercially practical.
© 2017 Taylor & Francis
Slide9Trademark Law
Trade & Service Marks
© 2017 Taylor & Francis
Slide10Identifies a tangible good or product of a company or individual.
Trade names
Once a trade name was used to denote any mark descriptive of a good or service. Today, it is a company
business name
.
Trademarks & Names
© 2017 Taylor & Francis
Slide11TrademarkAny word, phrase, symbol, design, sound, smell, color, product configuration, group of letters or numbers, or combination of these,
adopted
and used by a company to identify its products or services, and distinguish them from products and services made, sold, or provided by othersA
distinctive
mark, device, or implement that a manufacturer stamps, or prints on its goods.
© 2017 Taylor & Francis
Slide12Trademark
Assists customer in identifying a product without confusion.
If a business uses the trademark of another, consumers are misled as to who made the goods.
© 2017 Taylor & Francis
Slide13TrademarkWhat can
be trademarked
Words that are used as part of a design or device or words that are uncommon or fanciful may be trademarked. What cannot
be trademarked
Personal names, descriptive or generic words, or place names
Books
Pencils
Carper
Hawaii
© 2017 Taylor & Francis
Slide14Ownership and RegistrationFirst
person to use a mark in trade owns it.
Registration is not necessary, but does have some advantages.Protection becomes nationwide
Gives public notification of trademark protection
Damages under the Lanham Act are higher
Holders of registered marks have first priority to use the mark as an Internet domain name
© 2017 Taylor & Francis
Slide15Requirement of EnforcementAn alleged infringer
may claim that the Plaintiff's mark was abandoned and thus the protection lost.
Non use of the mark in question. Intent to discontinue the use of the mark.
Presumptive abandonment occurs after two consecutive years of non use.
May be rebutted by proof of intent to resume use
.
© 2017 Taylor & Francis
Slide16Service MarkAny word, name, symbol, device, or any combination, used, or intended to be used,
in commerce
, to identify and distinguish the services of one provider from services provided by others, and to indicate the source of the services. © 2017 Taylor & Francis
Slide17Domain NamesInternet addresses, (domain names), were originally assigned with no cost.
Now, bought and sold – sometimes for a lot of
money, and sometimes sold by people who originally registered those names for free.If a domain name infringes on a registered trademark, the domain name will be suspended immediately if the trademark owner challenges it.
© 2017 Taylor & Francis
Slide18Additional ConceptsProduct disparagement
or product defamation
.False statement about a product or company
Must prove actual malice (companies are considered public figures)
Must prove damages
© 2017 Taylor & Francis
Slide19Additional Terms & ConceptsPalming Off: One company sells its products by leading buyers to believe it is the product of another company.
Gray Goods
: "A gray-market good is a foreign-manufactured good, bearing a valid United States trademark, that is imported without the consent of the United States trademark holder." © 2017 Taylor & Francis
Slide20Other forms of IP
Copyright
©© 2017 Taylor & Francis
Slide21CopyrightsCopyright law protects the expression
of an idea. Not the idea itself.Copyright protects
“…original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.” (17 U.S.C. § 102)
© 2017 Taylor & Francis
Slide22OriginalThe term original
in the copyright law means that the work originated
with the author.There is no requirement for novelty or uniqueness as there is in patent law.Must originate with
author
.
© 2017 Taylor & Francis
Slide23Fixed in a Tangible MediumAny stable medium
that will record or reproduce the material is acceptableComputer software satisfies the fixation the moment the material is stored (
saved)A computer display
is considered fixed even if it appears momentarily and only returns under certain conditions (games)
© 2017 Taylor & Francis
Slide24DurationDepends on whether it is pre or post 1 Jan. 1978
Pre - Depends on whether published? Registered, first term, renewal
etc.Post - Life of author + 70 years
Work-for-hire 75 years from publication, 100 years from creation which ever is first
© 2017 Taylor & Francis
Slide25InfringementTo prove
a violation, the plaintiff must show that the work was original, and that either:
The infringer actually copied the work, or
The infringer had
access
to the original and the two works are substantially
similar
.
© 2017 Taylor & Francis
Slide26InfringementA court may:
Prohibit
further use of the materialOrder destruction of infringing material
Require infringer to
pay
damages
© 2017 Taylor & Francis
Slide27OwnershipWorks for Hire
- employer is considered the author when:
Work prepared by an employee within the scope or his/her employment.
W
ork specially ordered or
commissioned
for use as a contribution to a collective work.
Duration 75 years from publication or 100 from creation.
© 2017 Taylor & Francis
Slide28Ownership cont..Joint Works
- when 2 or more people make contributions of authorship with intention contributions be merged into
inseparable work© 2017 Taylor & Francis
Slide29Public Domain?How can you tell if a work is in the public domain?
Take a look at the following
chart and you will see that it depends on when the work was created…
© 2017 Taylor & Francis
Slide30© 2017 Taylor & Francis
Slide31Public Domain If published
before 1923, it’s in the public domain.
If it’s NOT in the public domain you cannot…Reproduce the music or lyricsDistribute (includes non-profit)Perform it in public
Play it in public
Make a derivative work
Check out this website:
www.pdinfo.com
, an awesome website for everything PD!
© 2017 Taylor & Francis
Slide32Video GamesCopyright law protects the entirety of the computer code
that creates the game in the same manner as it protects the entirety of a novel. Copyright law also protects the music, dialogue, scene and setting images, and character images within the game.
© 2017 Taylor & Francis
Slide33Video Games- Player LicensesLicenses player to use
the game within the terms that are set forth in the license. Does allow purchasers to make backup
copies for purposes of archiving and re-loading in event of a computer crashLicenses to players may differ
from game to game. Some permit or even encourage users to record and distribute screen shots of their plays.
© 2017 Taylor & Francis
Slide34Plots and ConceptsBasic game concept or plot is not
protected by copyright law.
Game designers are free to design new games based on these plot concepts, provided that the characters, art and words are substantially different from other games.© 2017 Taylor & Francis
Slide35Open Source and Creative CommonsSome choose to license their games as open source
or Creative Commons works. Allow the public to make designated use or some kinds of changes to the game.
Creative Commons licenses can set out different kinds of authorizations, allowing others to make new games based on characters or producing t-shirts or other commercial products provided the original copyright holder is identified
on subsequent works.
© 2017 Taylor & Francis
Slide36Fair Use - CriteriaPurpose of the use (commercial or private)Nature of the workAmount of the portion used
Effect of the use on the value of the original
Fair use is a law, which allows people to have certain use of certain copy written works, depending on the following four criteria.
© 2017 Taylor & Francis
Slide37Purpose of the UseIssue: whether the material has been used to help create something new or merely copied verbatim into another work.
Has the material you have taken from the original work been
transformed by adding new expression or meaning?Was value added by creating new
information, new aesthetics, new insights, and understandings?
© 2017 Taylor & Francis
Slide38Purpose - ParodyIn a parody, the parodist transforms the original by holding it up to ridicule. © 2017 Taylor & Francis
Slide39Purpose of the Work Transformative is determined by:Whether and to what extent it is “transformative,” altering the original with new expression, meaning, or message
.The more transformative the new work, the less will be the significance of other factors, like commercialism, that may weigh against a finding of fair use.
© 2017 Taylor & Francis
Slide40Purpose of the WorkOK for purposes such as:scholarshipresearcheducation May also qualify as transformative uses because the work is the subject of
review or
commentary.© 2017 Taylor & Francis
Slide41Nature of the WorkBecause facts or information benefits the public:You have more leeway to copy from factual works such as biographies than you do from fictional works such as plays or novels.
© 2017 Taylor & Francis
Slide42Published WorksYou have a stronger case of fair use if you copy the material from a published work than an unpublished work. The scope of fair use is narrower for unpublished works because an author has the right to control the first public appearance.
© 2017 Taylor & Francis
Slide43Amount of the Portion UsedThe less you take, the more likely that your copying will be fair use. Your copying will not be a fair use if the portion taken is the “
heart”. More likely to run into problems if you take the most
memorable aspect of a work. For example, it would not be fair use to copy the opening guitar riff and the words “I can’t get no satisfaction” from the song “Satisfaction.”© 2017 Taylor & Francis
Slide44Amount and ParodyThis rule — less is more — is not necessarily true in parody cases. A parodist is permitted to borrow quite a bit, even the heart of the original work.Supreme Court has acknowledged, “
the heart is also what most readily conjures up the [original] for parody, and it is the heart at which parody takes aim.”
© 2017 Taylor & Francis
Slide45Effect of Use on Value of OriginalIf the use deprives the copyright owner of income or undermines a new or potential market.Depriving a copyright owner of
income will trigger a lawsuit.
© 2017 Taylor & Francis
Slide46Effect of Use & ParodyIt’s possible that a parody may diminish or even destroy the market value of the original work. That is, the parody may be so good that the public can never take the original work seriously again.
© 2017 Taylor & Francis
Slide47Parody and Fair UseAs one judge explained: “The economic effect of a parody with which we are concerned is not its potential to destroy or diminish the market for the original—any bad review can have that effect—but whether it fulfills the
demand for the original
.” © 2017 Taylor & Francis
Slide48Fair Use and the CourtsU.S. Copyright Law cites examples of activities that courts have regarded as fair use. These include:quotation of excerpts in a review or criticism for purposes of illustration or comment
quotation of short passages in a scholarly or technical work, for illustration or clarification use in a parody of some of the content of the work parodied
© 2017 Taylor & Francis
Slide49Fair Use and the Courts (cont.)summary of an address or article, with brief quotations, in a news reportreproduction by a library of a portion of a work to replace a damaged copyreproduction by a teacher or student of a small part of a work to illustrate a lessonreproduction of a work in legislative or judicial proceedings
reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported
© 2017 Taylor & Francis
Slide50Acknowledging Source Material Acknowledgment of the material may be a consideration in fair use, but it will not protect against a claim of infringement.
In some cases, acknowledgments can backfire and create claims, such as violation of the right of publicity.
When in doubt, seek the permission.© 2017 Taylor & Francis
Slide51DisclaimersA disclaimer is a statement that “disassociates” your work from the work that you have borrowed. In close cases, a prominently placed disclaimer may have a positive effect on the way the court perceives your use.
However, generally a disclaimer by itself will not help.
© 2017 Taylor & Francis
Slide52ClearancesThe process of getting permission to use or refer to certain items.What items?
© 2017 Taylor & Francis
Slide53Clearance ItemsBusiness names – If you refer to say, McDonald’s a nationally known company, you need to get their permission.
Product names
– If you refer to an Oster blender, you may need to get their permission.
© 2017 Taylor & Francis
Slide54Organization names – If you refer to the Salvation Army you need to get their permission.Fine artwork – If you show a painting that’s on the wall, you need to get permission of the artist.
More Clearance Items
© 2017 Taylor & Francis
Slide55More Clearance ItemsPhotographs - You must get permission of the photographer and in some cases the people in the photograph (unless deceased).Book covers -
Not if you film a whole library, only if the book is featured in a scene.
© 2017 Taylor & Francis
Slide56Magazine covers – again, really only if featured in a scene.Newspapers – this is why you see a lot of “fake” newspapers in film, it’s much easier to make a fake one than to get permission.
More Clearance Items
© 2017 Taylor & Francis
Slide57More Clearance ItemsWallpaper – Yes, wallpaper is art work, SOMEONE designed it didn’t they?Bedding – This mostly refers to quilts which is a major art industry.
© 2017 Taylor & Francis
Slide58Copyrighted Material – Goes without saying…Trademarked material – You don’t always have to clear trademarks, but it is a good idea.
More Clearance Items
© 2017 Taylor & Francis
Slide59More Clearance ItemsStock footage – This usually becomes “cleared” when you buy it, because you buy the rights for it, when you buy it.Film & TV clips
– Same as stock footage.
© 2017 Taylor & Francis
Slide60Derogatory references – Being derogatory could subject you to charges of defamation or slander.Telephone numbers – This is why you hear “555” whenever actors mention a phone number.
More Clearance Items
© 2017 Taylor & Francis
Slide61Portrayals of famous people or government officials.Cases where filmmakers used look-a-likes &got into trouble, and some didn’t. Public figure is different because most public figures give up their right to privacy when they become famous, although that’s debated consistently by, guess who, the famous people!It’s all very gray…
More Clearance Items
© 2017 Taylor & Francis
Slide62Releases
A release is a person granting you permission to film their likeness or use their location, or use their material.
Talent Release
Crowd Releases
Location Releases
Script Release
© 2017 Taylor & Francis
Slide63Important?Distributor or network, or cable channel will ask for “deliverables.”Documentation from your film.Without these the company
cannot air or
distribute your film.© 2017 Taylor & Francis
Slide64DeliverablesCan contain contracts, clearances, releases, post-production materials and credit information.This is done to insure you have all the proper legal permissions in place.
© 2017 Taylor & Francis
Slide65Talent ReleasesTwo kindsAdult - 18 years old and over
Minor – 17 years old and under
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Slide66Minor ReleaseUsed for children 17 years old and younger.Because a minor is not legally allowed to sign a contract, the parent signs
this one.
© 2017 Taylor & Francis
Slide67CrowdWhen you are filming a large population of people, most often in a venue that requires a crowd, like a stadium, congregation, etc.The release is
displayed in the area of filming in a place that is easy to see (generally a big sign).
© 2017 Taylor & Francis
Slide68LocationAn agreement where the owner of a property agrees to let you film at their location.The agreement also promises that if you
damage the location, you will pay for it.
© 2017 Taylor & Francis
Slide69Script ReleaseA contract between you and the scriptwriter. The release grants the production company the right to film the script.A script agreement is different than a script
release. A script agreement is done when there is significant pay involved.
© 2017 Taylor & Francis
Slide70Script ReleasePart of this release also allows the producer certain rights to the story.
1. ASSIGNOR sells, grants, assigns and sets over (“assigns”) to _________________, its successors and assigns, all rights, under copyright or otherwise, and the unencumbered right to exercise these in all media and by any manner and means, whether now or later devised throughout the universe in perpetuity, in that certain [literary material/musical work]_________________written by ASSIGNOR entitled _________________ (“work”), including, but not limited to the copyright in all (i) contents. (ii) present adaptions and versions. (iii) themes, (iv) titles. (v) characters. and (vi) renewals or extensions.
© 2017 Taylor & Francis
Slide71ContractsEmployee contractsCrew & castEquipment RentalsProduction Agreement
Script Agreement
© 2017 Taylor & Francis
Slide72Production ContractsYou should establish a standard production contract for your company.This is a document that YOU would bring to the table when hired.© 2017 Taylor & Francis
Slide73Employee ContractsThe kinds of employee contracts you will encounter include:
Independent contractsDirector’s agreement
Day PlayersWeekly PlayersSAG Agreement© 2017 Taylor & Francis
Slide74Independent ContractorsWork for you but you don’t take taxes out of their pay.Get a 1099 form at the end of the year.The government gets the taxes from their pay.
Most work freelance and are incorporated (which helps with the taxes).
© 2017 Taylor & Francis
Slide75Day & Weekly PlayersDay players - 5 or less days, get paid per day.Weekly players - 6 or more days, paid by the week.Contracts cover
length of employment & what
credit they receive.A person is never guaranteed a credit.TV version, might need to be shortened in order to make it’s air time slot.© 2017 Taylor & Francis
Slide76Day & Weekly PlayersKit rentalRelease form inside contract.Keep silent clause. No one is allowed to talk about the filming with anyone. The producers try to create a sense of mystery around the filming.
© 2017 Taylor & Francis
Slide77Director’s AgreementDGA director’s agreement, or, an independent agreement.Covers important issues in regards to the director including:Length
of time on the filmWhat credit
he/she will receive and where that credit will be (front or end titles or both)What the director’s involvement in post is, i.e. a directors cut (or not!).© 2017 Taylor & Francis
Slide78SAG AgreementIf you produce a SAG show, you become signatory for the show.Lots of paperwork.All done to ensure actor’s are treated well.Here’s a link to one of their agreements:
http://www.sagaftra.org/production-center/documents
© 2017 Taylor & Francis
Slide79SAG AgreementBased on budget.Ex: low budget agreement = budget of less than 2.5 million.Covers:The actor’s pay, hours, accommodations, per diem
Residual pay (if applicable)Has a statement about nudity and stunts on the film
See SAG student film agreement.© 2017 Taylor & Francis
Slide80Equipment RentalsVary from vendor to vendor. Cover:Grip & lighting packagesCamera & sound packagesMiscellaneous rentals such as wardrobe, props, set dressing, etc.
Make sure to understand
terms of the agreement including drop off and pick up dates and any fees on damage or loss of the equipment.
© 2017 Taylor & Francis
Slide81CREDITSNo set rulesContractualGet from deal memosDrafted @ end of principal
© 2017 Taylor & Francis
Slide82MAIN TITLESFrame Right Films, Inc. presents
A
J Darin Wales FilmRegina of Icelandia
Starring
Jing Lei Wales
Zane Duran
Lindsey Snyder
Costumes Designed by
Carolyn Margaret
Production Designer
Elizabeth Stahl
© 2017 Taylor & Francis
Slide83Director of PhotographyReagen Beard
Special Visual Effects by
Danielle KirstenMusic byMatt Brinkman
Casting by
Smith and Jones
Written by
Keenan Beards
MAIN TITLES
© 2017 Taylor & Francis
Slide84Executive ProducersMargie GuerreraAlbert Jose
Produced by
Belinda SmithDirected by
J Darin Wales
MAIN TITLES
© 2017 Taylor & Francis
Slide85ConclusionThe legal aspect of making films include items such as copyright, fair use, releases and clearances. There are many contracts associated with a show, so it is wise to retain the services of a good lawyer.
Main titles can be based on contract agreement.
© 2017 Taylor & Francis