PPT-Pioneers in Sound recording

Tony Schwartz httpswwwyoutubecomwatchv6gaq5t14FE Alan Lomax httpresearchculturalequityorgrcb2getaudioixdoixrecordingampid4735ampidTypeperformerIdampsortByabc Basics of Digital Audio. of . Sound. 3. Acoustic Archives. Sound recording as archival medium (Sterne). Women and telephony: Two Archives (Martin, Martel). Sonification. (Sterne and Akiyama). Is it a Live Recording, or is it Voices of the Dead? A Comparative Case Study:. from your iPhone, PC or Mac. Skip to your platform. iPhone. PC. Mac. iPhone Voice Memo: Step 1. Launch the Voice Memo app on your iPhone.. iPhone Voice Memo: Step 2. Click the red button when you’re ready to start recording.. origin and purpose. I have taken some slides from arguably the finest cataloging teacher of the early 21. st. century, Rick J. Block.. I have taken out aspects that don’t apply to classical music much, since this is what we are dealing here.. Which is Best?. Cody Barras. Musical Acoustics. Fall 2012. Vinyl, CD or MP3. There is quite a deal of debate among recording specialists and internet know-it-alls about the general quality of sound recordings over various mediums. Some say that the compression of an MP3 gives an over processed sound, others say the artifacts on a record make for an unclean recording, and still others say that the CD is not the happy medium it claims to be.. INART 258 Fundamentals of MIDI & Digital Audio. Mark Ballora. , instructor. 1. 2. Recording Fundamentals. Recall the slides from earlier presentations concerning reverberation.... 2. 3. Distance. INART 258 Fundamentals of MIDI & Digital Audio. Mark Ballora. , instructor. 1. 2. Recording Fundamentals. Recall the slides from earlier presentations concerning reverberation.... 2. 3. Distance. composition. , and the other, FOR THE RECORDING ITSELF, which is called the . sound recording. copyright. It is not uncommon for each copyright to have separate ownership.. OVERVIEW. THE PA or the . Dr. Andrew Maz. About Me. D.M.A. – Early Music, USC. M.A. – Musicology, UCLA. B.A. – Classical Guitar, UCSD. Songwriter. Producer. Recording Engineer. Film Composer. Educator. Educator. Cerritos College. 5. Filmic Sound Spaces. Sound Theory Sound Practice. Edited by Rick Altman (1992). With essays by James . Lastra. , Michel . Chion. , and others. The Soundscape of Modernity: Architectural Acoustics and The Culture of Listening in America, 1900-1933 . Sound recording practice. Example 1. Give the following fields:. Title. Publication information. Physical description. Publishers’/standard numbers. What do you think is the main entry?. ℗1967 Verve Records. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Dr. Andrew Maz. About Me. D.M.A. – Early Music, USC. M.A. – Musicology, UCLA. B.A. – Classical Guitar, UCSD. Songwriter. Producer. Recording Engineer. Film Composer. Educator. Educator. Cerritos College. EMC, LVD - 2 - IntroductionThank you for investing in the NT1-A studio condenser microphone.Whether you “This plan … emphasizes that coordination among public and private stakeholders in the recorded sound community will be essential for achieving a successful national sound recording preservation program.” .