Jana Machajdik Vienna University of Technology Allan Hanbury Information Retrieval Facility using features inspired by psychology and art theory Images amp emotions Context amp Motivation ID: 203685
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Slide1
Affective Image Classification
Jana Machajdik, Vienna University of TechnologyAllan Hanbury, Information Retrieval Facility
using features inspired by psychology and art theorySlide2
Images & emotions Slide3Slide4
Context & MotivationRetrieval of „emotional“ images?
Publications few, recent and not comparable
Critique of State of the Art
Contribution
-
arbitrary
emotional categories
+ emotional categories from an extensive psychological study (IAPS)
- Unknown image sets
+ Available sets
- Unclear evaluation
+ Unbiased correct rate
- General features with implicit relationship to output emotions
+ Specific features designed to express emotional aspectsSlide5
How to measure affect?
“Affect”- definition:The conscious subjective aspect of feeling or emotion.Individual vs. commonPsychological model
Valence Arousal(Dominance)Emotional categories by Mikels et al.:
AmusementAwe
Excitement
Contentment
Anger
Disgust
Fear
SadSlide6
System flow:
Feature vector: 114 numbersK-Fold Cross-ValidationSeparates the data into training and test sets
Machine Learning approachNaive Bayes classifierSlide7
PreprocessingResizing
CroppingHough transformCanny edgeColor spaceRGB to IHSL SegmentationWatershed/waterfall algorithm
Hough space
m
ain lines
c
ropped image
original
Hue
Brightness
Saturation
S in HSV
original
segmentedSlide8
Feature extractionColor
TextureCompositionContentSlide9
Color FeaturesSaturation and Brightness statistics
+ Arousal, Pleasure, Dominance Hue statisticsVector basedRule of thirdsColorfulness
Color Names Itten contrasts
Art theoryA
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006
Arousal: ascending
Pleasure
Arousal
DominanceSlide10
Color FeaturesSaturation and Brightness statistics
+ Arousal, Pleasure, Dominance Hue statisticsVector basedRule of thirdsColorfulness
Color Names Itten contrasts
Art theoryA
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006
original
Hue channel
Hue histogram
Arousal: ascendingSlide11
Color Features
Saturation and Brightness statistics+ Arousal, Pleasure, Dominance Hue statisticsVector basedRule of thirds
ColorfulnessColor Names
Itten contrastsArt
theory
A
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006Slide12
Color Features
Contrast of hueContrast of saturationContrast of light and dark
Contrast of complements
Contrast of warmthContrast of extension
Simultaneous contrast
Saturation and Brightness statistics
+ Arousal, Pleasure, Dominance
Hue statistics
V
ector
based
Rule of thirds
Colorfulness
Color Names
Itten
contrasts
A
rt
theory
A
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006Slide13
Color FeaturesSaturation and Brightness statistics
+ Arousal, Pleasure, Dominance Hue statisticsVector basedRule of thirdsColorfulness
Color Names Itten contrasts
Art theoryA
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006
warm
coldSlide14
Color FeaturesSaturation and Brightness statistics
+ Arousal, Pleasure, Dominance Hue statisticsVector basedRule of thirdsColorfulness
Color Names Itten contrasts
Art theoryA
ffective
color histogram by Wang Wei-
ning
, ICSMC 2006Slide15
Texture Features
Wavelet-basedDaubechies wavelet transformTamura features CoarsenessContrastDirectionalityGray-Level-Co-occurrence Matrix (GLCM)Contrast
CorrelationEnergyHomogeneity Slide16
Texture Features
Wavelet-basedDaubechies wavelet transformTamura features CoarsenessContrastDirectionalityGray-Level-Co-occurrence Matrix (GLCM)Contrast
CorrelationEnergyHomogeneity Slide17
Composition FeaturesLevel of Detail
Low Depth of FieldDynamicsLevel of Detail: original
segmented
Low Depth of Field IndicatorSlide18
Content FeaturesHuman Faces
Viola-Jones frontal face detectionSkinSlide19
Dataset 1
IAPS – International Affective Picture System369 general, “documentary style” photos, covering various scenes e.g. insects, puppies, children, poverty, diseases, portraits, etc.Rated with affective words in psychological study with 60 participantsSlide20
Dataset 2
„Art“ photos from an art-sharing web-site„art“ = images with intentional expression & conscious use of designArtists use tricks (or follow guidelines) to create the proper atmosphere of their imagesData set assembled by searching for images with emotion words in image title or keywords/tags Images are from the art-sharing web community deviantArt.com807 imagesSlide21
Dataset 3
Abstract paintingsHow do we perceive/rate images without semantic context?Peer rated through a web-interface
280 images rated by ~230 people
20 images per session
E
ach image rated ~14 xSlide22
Web surveySlide23
ExperimentsSlide24
Feature selectionSlide25
Results
EvaluationUnbiased correct rateMean of the true positives per class for all categories
Ground truthR
esults of study
A
rtist‘s labels
W
eb
votes
Feature selection results in paper
Compare resutls with Yanulevskaya, ICIP 2008
Slide26
All data setsSlide27
Classifier vs. human?
Abstract paintingsHumans don’t agree on category either…Slide28
ConclusionsEmotion-specific features make sense
Abstract paintings survey shows that even humans are unsure about emotion without contextwww.imageemotion.orgFuture work look for other, better or fine-tuning of features and classification algorithms (e.g. more context features (e.g. grin detection), saliency based local features, etc.),.. More (bigger) labeled image sets (ground truth)O
ther types of “classification” “emotion distribution”Slide29Slide30
Thank you!
Reference
: Wang
Wei-ning
, Jiang
Sheng-ming
,
Yu
Ying-lin
. Image
retrieval
by
emotional se-
mantics
: A
study
of emotional
space
and
feature
extraction
. IEEE International
Conference
on Systems, Man and
Cybernetics
, 4(Issue 8-11):3534 – 3539,
Oct
. 2006.
V.
Yanulevskaya
, J. C. van Gemert, K. Roth, A. K.
Herbold, N. Sebe, and J. M. Geusebroek. Emotional
valence categorization using
holistic image features. In IEEE International Conference
on Image
Processing
, 2008.