PPT-CAMERA SHOT GUIDE: Framing, Angles, and Movement

Author : min-jolicoeur | Published Date : 2018-11-21

When describing camera positions or choosing them yourself you have to think about three important factors The FRAMING or the LENGTH The ANGLE If there is any

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CAMERA SHOT GUIDE: Framing, Angles, and Movement: Transcript


When describing camera positions or choosing them yourself you have to think about three important factors The FRAMING or the LENGTH The ANGLE If there is any MOVEMENT involved When describing camera positions or shots different terms are used to indicate the amount of subject matter contained within a frame how far away the camera is from the subject and the perspective of the viewer Each different shot has a different purpose and effect A change between two different shots is called a CUT. Definition. the . process of capturing moving images on . film. (or digitally). everything . that has to do with cameras and lenses, with film/film stock (and its digital equivalents), exposure and processing of film/digital . Description. An eyelevel angle is a camera angle in which the camera is placed at the actor and actresses' eye.. This type of shot is an extremely common shot because of it’s neutral effect.. Sources. Let’s explore how to storyboard. Storyboarding. This is where you plan out your shots for each scene. . By doing this you will ensure you do not waste valuable production time.. Not only do you plan out the shot, but the sequence, angle, and what shot you want to capture.. 180. o. . Rule . When two people are in a conversation, you must draw a line between the two actors and . NEVER. move the camera across this line. Keeps perspective. If you cross the line the actors flip position. Cinematography. Camera Techniques: . What to Know. Key areas. Shot Type. Camera Angles. Camera Movement. Focus. Production Elements. Production . elements . include everything that . you can see . or hear on . Tracks are laid on the set to permit a smooth movement of the camera, which can them follow a moving person or object. . . dolly shot. . straight. or curved. A shot taken from a moving vehicle , that follows a moving person, animal, vehicle or other object.. 2.12. Purpose. Identify cinematic techniques and explain the effects in visual texts.. Cinematic Techniques. This handout is . precious. and must be kept safely in your binder behind HANDOUTS throughout this unit.. How movies are made. Cinematic techniques. the methods a director uses to communicate meaning and to evoke particular emotional responses in viewers.. Shots and Framing. Shot: a single piece of film uninterrupted by cuts.. Shot Types. Camera Angles. Focus. Lens Techniques. Camera Movement. Shot Types . Extreme Long-Shot (XLS. ). Wide Shot. Establishing Shot. AKA full or wide . shot or establishing shot. Shows entire subject (person or object) from a distance. Angles, Framing and Focus. LT: Analyze how directors create effect through focus and composition in film. . SC: Make choices about how to shoot a short film and explain how choices connect to meaning. Analyze cinematographic choices made in a short film.. Angles, Framing and Focus. LT: Analyze how directors create effect through focus and composition in film. . SC: Make choices about how to shoot a short film and explain how choices connect to meaning. Analyze cinematographic choices made in a short film.. is what we know as a CAMERA ANGLE. It . gives emotional information to an audience, and guides their judgment about the character or object in shot. The more extreme the . angle, the . further away it is from eye . In . the case of a film the person who gets the credit is chiefly the . director. . . This person has overall artistic control (or is supposed to). . The . person who co-ordinates the business aspects (ensuring the film meets its budget, representing the studio) is the producer. . Composition. Framing Shots. Camera Angles. Happy Snaps . vs. Artistic Photographs. COMPOSITION. Composition . is about creating the picture, we decide what is in it and what is left out. . . Through .

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