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Risqué Business:  Risks & Realities of Digitizing Arti Risqué Business:  Risks & Realities of Digitizing Arti

Risqué Business: Risks & Realities of Digitizing Arti - PowerPoint Presentation

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Risqué Business: Risks & Realities of Digitizing Arti - PPT Presentation

The Archives of American Art collects preserves and makes available primary source material documenting the history of the visual arts in the United States wwwaaasiedu What are the risks ID: 328599

amp records art photographs records amp photographs art approach security aaa permission copyright item published can

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Slide1

Risqué Business: Risks & Realities of Digitizing Artists’ PapersSlide2

The Archives of American Art collects, preserves and makes available primary source material documenting the history of the visual arts in the United States Slide3

www.aaa.si.eduSlide4
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What are the risks?

Copyright infringement – published, unpublished, licensed.

Privacy Issues – medical records, social security records, banking records, tax records, 2

nd

or 3rd person concerns.

Appropriateness, Moral & Ethical Issues - nudity, lewd, lascivious, pornographic. Slide9

AAA Approach

Selection based on research value and use

Archival approach, not item approach

Do not seek copyright holder’s permission – not reasonable or feasible

Assume that almost everything falls under a broad concept of “fair use” Display thumbnails as initial point of accessAvoid only the riskiest materials

Rely on existing archival appraisal skill set No item-level cataloging for fully digitized collections Slide10

What we won’t risk – sort of...

Photographs stamped with a statement indicating the photograph can not be reproduced without permission.

Tax records (usually)

Social Security numbers and records

Medical records (usually)

Personnel and payroll records

Lewd, lascivious, and pornographic materialsNude photographs – especially those not of donor

Nude photographs of children

Published books/catalogs

Photographs of works of artSlide11
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...“oh curse this damned abortion – I can’t

[can’t]

be good & they say I’ve got

to.

Eileen

I am shaved & I keep wanting your hand on me there - Slide21

XXXSlide22
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Barbara Aikens

Archives of American Art, Smithsonian Institution

aikensb@si.edu

Moses Soyer letter to grandson Daniel Soyer, circa 1964.