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DEFINE PROPAGANDA DEFINE PROPAGANDA

DEFINE PROPAGANDA - PowerPoint Presentation

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DEFINE PROPAGANDA - PPT Presentation

What is the propagandistic message of this artwork How is this message visually communicated Roman Government and Art Context Review Appropriation Captive Greece made Rome Captive Pragmatism Where the greatest good and popular opinion established the standard of art ID: 529858

dome building interior space building dome space interior vault arch oculus function pantheon significant group roman engineering government questions

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Slide1

DEFINE PROPAGANDA

What is the propagandistic message of this artwork? How is this message visually communicatedSlide2

Roman Government and Art Context Review

Appropriation: “Captive Greece made Rome Captive”Pragmatism: Where the greatest good and popular opinion established the standard of art

Propaganda: Power and authority of the Republican and Imperial rulers / empires

Utilitarianism: engineering, road building, public works to manage government and Empire

Eclecticism: A tolerant and open-minded approach to differences

Engineering: New technological innovations in building including arch, vault, dome and concreteSlide3

Four Roman Contributions to Architecture

Building for use – a shift from religious building to engineering for practical/public use, problems and entertainmentDeveloping the arch and vault

– increase in scale

Emphasis in verticality

– made possible by use of concrete, multi-use facilities like the forum market place

Design of significant interiors

– Romans treated the play between light and space as significant architectural elementsSlide4

THE MANY USES OF THE ARCH

Dome

Cross Vault

Arch

Barrel VaultSlide5

The Pantheon

What are the facts? (F)Architect:

NA

Patron:

Emperor

Hadrian

Title:

The

Pantheon

Date: 120 CE

Period/Style: High EmpireSize: MonumentalFindspot:

RomeSlide6

There is very little ancient commentary on the Pantheon

No one knows who designed it or why Hadian had the bronze lettering placed on it recognizing Agrippa as the builder of an earlier temple on the siteNo one knows what sculptural work actually filled the niches – usually assigned to planetary deities

Pediment sculptures are completely lost and we don’t know what the forecourt looked like or how it affected how people approached the building

We do not know the exact function of the buildingSlide7

This building is nearly 2,000 years old and has gone through significant changes. What types of changes do you think occurred to the building that have stripped it from its original context?

It became Santa Maria della Rotund in 609 CE. Scultpures

of the new faith replaced the oldSlide8

The Pantheon: Group Discussion 5 Minutes

Group 1: Discuss questions 1, 2 and 3Group 2: Discuss questions 4 and 5

Group 3: Discuss questions 6 and 7Slide9

Who was Hadrian?

Chosen successor of TrajanA fellow

S

paniard

Lover or art

Traveled to Greece – his portrait is reminiscent of Pericles – a classical depiction of a mature bearded man

We see his interest of Greek architecture reflected in the Pantheon but also a departureSlide10

What type of floor plan is the Pantheon

CENTRALIZED – based upon the circle

Single, unified and uninterrupted space with

niches

for sculpture

This type of plan was not new to Romans – it was used for their public baths and Nero’s Golden house

The

proprtions

of the Pantheon are “harmonic” – echoing Plato’s idea of the harmony of the universe

NicheSlide11

What is the structure or engineering system?

A poured concrete rotunda

Based

upon

intersection of a

vertical

and horizontal

circle

A drum and dome supported by relieving arches imbedded in thick walls serving as a buttressing system

Weight lessened by the coffers and decreasing size of the dome shell as it risesSlide12

THE MANY USES OF THE ARCH

Dome

Cross Vault

Arch

Barrel VaultSlide13

How did one enter the building?

A colonnaded courtyard would have led the Romans into the portico, from which the ascended steps into the once elevated buildingSlide14

Describe the interior space

The vast interior space can be imagined as the orb of the earth and the dome as the vault of the heavens

Divided into 3 levels:

1

st

level is defined by columns and niches – vertical columns fasten us to the ground

2

nd

level is the drum – it’s solidity upholds the dome of the heavens. Square windows lessen it’s solidity

3

rd

level the dome and oculus – the coffered pattern, decreasing in size, leads the eye to the oculus which lets in dramatic light. The decreasing size also make the dome feel lighterThe floor is patterned with squares. The overall scheme is a harmonious integration of circles and squaresSlide15

How is the interior embellished or decorated?

Marble interior. Exterior rotunda originally covered in marbleBronze stars would have originally adorned each coffer – likening it to a heavenly sky

The lighting from the oculus, which would have illuminated the the 7 planetary deities like a heavenly searchlight adds a dramatic flare that embellishes interior spaceSlide16

How does one move around the interior space

CIRCUMBULATION: Circulate the vast interior space – niche to nicheUninterrupted circular path is a Roman invention

Circular shape and use of natural light from the open oculus Encloses people without imprisoning themSlide17

What is the function of this building? How do the visual qualities convey this function?

RELIGIOUS FUNCTION: The universal sphere

(

the earth) is connected to the cosmos beyond

by a perfect circular

oculus Dome is an image of the cosmos for contemplation.

IDEAL WORLD ORDER: Organized, unified and harmonious like government

GOVERNMENT FUNCTION:

Space for Roman Senate Meeting – symbolic of meeting in harmony.

Emporer

would have ruled religion and state. It is suggested that the portico would have had a sculpture of Augustus and the interior sculpture would have included a statues of Julius CaesarSlide18

HW QUESTIONS

WHY IS THE WORK SIGNIFICANT – HOW DOES IT SPEAK FOR IT’S TIME / GENERATION?

In what way do the visual qualities of

the building

reflect the culture’s social,

r

eligious and /or political values of the time, or the chief concerns of this time?