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Preserving Our Past and Present Preserving Our Past and Present

Preserving Our Past and Present - PowerPoint Presentation

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Preserving Our Past and Present - PPT Presentation

for the Future Generations Raj Reddy Carnegie Mellon University June 15 2017 Keynote Speech at International Conference on Digital Library and Knowledge Zhejiang University Hangzhou China 1 ID: 625540

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Slide1

Preserving Our Past and Present for the Future Generations

Raj ReddyCarnegie Mellon UniversityJune 15, 2017Keynote Speech at International Conference on Digital Library and KnowledgeZhejiang University, Hangzhou, China

1Slide2

Preserving Our Cultural Heritagefor Future Generations

Preserving CultureMuch is Freely Available on the webWikipedia: Donation ModelNew Trend: Free Online Access and pay for physical copyNeural Networks and Deep Learning by Michael Nielsen http://neuralnetworksanddeeplearning.com

Except Commercially Published Copyrighted Knowledge

Most Important Works are Copyrighted and must be preserved!

Books, Newspapers, Music, Movies and Video, and Paintings

Multiple Media Now All Accessible In Digital Representation

Online Digital Access

Instantly Available

To Anyone, Anywhere in the World, in Any Language, and

Searchable, Findable And

Processable

By Humans And Intelligent Agents

PDF/A

Future Generations?

10 to 1000 generations?

Next Millennium: Y3K – 40 Generations?Slide3

Preserving Our Past: CADAL and The Million Book Project

Y2K: Technology for Large Scale scanning became available around 2000No need to cutup booksOCR over 99* correctNot orphan languagesPre-1923

manuscipts

from libraries in US, China and India

MOU between CMU and ZJU signed 2002

Scanned over Million Books in China

Google Scanning of Books started around 2007

Over 20 million scanned

but not accessible pending litigation

We Also Need to Continue Preservation of the Past and Expand to

Newspapers, Music, Movies,

Paitings

and SoftwareSlide4

Preserving Our Present: Accessing and Archiving Born Digital Content

At present, there is no cogent plan for saving born-digital entities for future generations. Unlike webpages, copyright protected objects are being lost forever except for a few best sellers. GRAND CHALLENGE: Create a Digital Archive Of All Born Digital Content: Books, newspapers, paintings, music, movies, software, etc. from now in perpetuityInstantly Available to Anyone, Anywhere In The World, in any language and searchable, findable and processable by humans and intelligent agents. Requires a Government Ordinance within which all the born-digital content is captured and archived before it is irretrievably lost.Slide5

The Main Bottleneck: Copyright LawsIncompatible with Speed of Progress in Information Age

Different Countries have Different policiesSome Countries Have Compulsory LicensingStatus not always KnowableLife+ 50 yearsMickey Mouse lawSome Content Not DigitalSlide6

Universal Copy Right SummitFixed Copyright Term for 100 years from the Date of Creation

Require Registration and Self Archiving and Renewal Every 10 yearsLife + 50 and other Arcane laws supersededFor options such as Royalties for number of accessOnline Global Copyright RegistryOPT-IN: Owner can reduce the Copyright Period Public Domain Works

Orphan and/or Abandoned works and Government Publications

Digital Depository

All Media that Enjoys Copyright Protection: Books, Music, Movies, Newspapers, Paintings

Ordinance requiring all publishers of all media to submit a digital copy (along with usually required physical copies) to the National Archive of the Country.Slide7

Technical IssuesHow to Better Preserve Our Culture, Heritage and Creative Works.

Establish a Digital Cultural Conservancy of the WorldA Thousand Year Archive of All Books, Newspapers, Music, Movies, and PaintingsHow Can We Be Sure We Can Read or View Books, Newspapers, Music, Movies, Paintings etc. Created Long Ago? PDF/AIn a World Where File Formats Change Monthly, How Can We Retrieve and Experience Archived Content?Format conversion ToolsVM Ware

Who pays to maintain our ability to access artifacts? Stakeholders:

Government

Libraries

Media

eCommerce

companies

Authors and Creators (of Books, Movies, Music, Newspapers, Paintings

etc

)Slide8

National Digital Archive of China (NDAC)Establish National Digital Archives of China as part of State Administration of Cultural Heritage

Industry and Universities may provide Technology, Training and Management supportGovernment shall provide space, personnel, equipment and operating costs of INDAC.Digital Depository for All Born Digital Copyrighted WorksSoftware and Tools to enable drag-drop-and click submission of the copyrighted work to the NDA without Leaving the Office/HomeSuch material would be released to the public only when the work is out-of-copyright or when requested by the author/publisher on an opt-in basis.Slide9

PDF/A: ISO Standard for Archiving Digital Content

PDF/A is an ISO-standardized version of the Portable Document Format (PDF) specialized for use in the archiving and long-term preservation of electronic documents. PDF/A differs from PDF by prohibiting features ill-suited to long-term archiving, such as font linking (as opposed to font embedding) and encryption.[1] The ISO requirements for PDF/A file viewers include color management guidelines, support for embedded fonts, and a user interface for reading embedded annotations.Slide10

Orphan Works and Public Lending RightOrphan and abandoned works problem

State Usually Inherits the IPDefine that A Creative Work is “Orphan” When It is Generating Little or No Revenue to The Creator. A Creative Work is Considered “Abandoned” When Attempts to Locate Owners Of Unclaimed Works Through Letters and Newspaper Announcements are Unsuccessful. An “Opt-in Process” May Be Provided If There is an Incentive to Receive Royalty for Every Access Analogous To Public Lending Right For Paying Royalties To Authors In UK And Other Countries. Slide11

Value Added Services of NDACTo Enhance the Income to Authors and Creators

National Digital Archives of China may Undertake Value Added Services of Access and Distribution such as Find Copyrighted Content by Discovery and Search ToolsEnable buying and Selling Copyrighted Content thru eCommerceEnable Dynamic Pricing based on Market DemandPay Royalty to Authors and Creators that Borrow Copyrighted Content under Public Lending RightDiscoverability by SearcheCommerce using Alibaba and Amazon-like ServicesMarket PricingPublic Lending RightSlide12

Next StepsSet-up a Cloud based Server to Serve as Global Digital Archive

Government to Approve Establishment of an Archive for National Digital Depository of Copy-righted Works replacing the Current Physical DepositoryDefine Meta Data for Digital Works: Ease of Use for Self Archiving by AuthorsSelf Archiving https://en.wikipedia.org/wiki/Self-archiving but not free for 100 years unless placed in Public DomianSlide13

Conclusions and Action ItemsIKCEST, the UNESCO International Knowledge Center for Engineering Science and Technology may convene a International Summit on Universal Copyright Policies

, to discuss and establishTerms and Conditions of a Universal Copyright Law.A Global Copyright RegistryA Digital Depository at National Digital ArchivesCompulsory Licensing of Orphan works While respecting the rights of authors and creative artists. Establish National Digital Archives of China as part of State Administration of Cultural HeritageWith Responsibility of Acquisition, Preservation and Access to All Born-Digital Copyrighted ContentIncluding Books, Newspapers, Music , Movies and Videos, Paintings Establish scanning equipment, computers, petabytes of storage, and Software tools for Management and Preservation