PPT-Improvising Complexity: The Philosophy of Jazz

Author : tawny-fly | Published Date : 2016-05-10

The Nature of Improvisation in Jazz Music The Nature amp Methods of Improvisation The Etymology of Improvisation Improvisation versus Composition

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Improvising Complexity: The Philosophy of Jazz: Transcript


The Nature of Improvisation in Jazz Music The Nature amp Methods of Improvisation The Etymology of Improvisation Improvisation versus Composition. Improvising Organizational Transformation over Time:A Situated Change PerspectiveWanda J. OrlikowskiMassachusetts Institute of Technology50 Memorial Drive (E53-329)Cambridge, MA 02139, USATel: 617-253 Jazz. Typical Instruments. Vocals. Piano. Banjo. Guitar. Double bass. Trumpet. Trombone. Saxophone. Tuba. Clarinet. Flute. Bass guitar. Drum kit. Vibraphone. Characteristics of Jazz. Because it spans music from over 100 years now, jazz can be very difficult to define. & Musical Theatre. . Dance. Gus Giordano Jazz Dance Co.. Origins of Jazz Dance. The roots of jazz dance are found in Africa.. Found in the rhythms and movements of African dance brought to the US by slaves.. Schedule 8 Juniors Seniors 5:30 - 6:30 and level p lacement (Teresa) 6:30 - 7:30 Jazz (Alexandra) 6:30 - 7:30 Broadway Jazz (Karen) 7:30 - 8:30 Broadway Jazz (Karen) 7:30 - 8:30 Jazz (Alexandra) Wed, All you need to know for Dance I Unit I. Jazz Terms. Jazz- a routine or combination with strict and energetic movements. Can be stylistic or smooth depending on the music and choreographer.. Personal Space- The “space bubble” that the dancer occupies, including all levels, planes, and directions both near to and far from the body’s center. -Change often stems from dissatisfaction.. -That was the case again in the 1950’s when musicians reacted against the complexity of bebop.. -For some, that meant to revive older forms of jazz, such as Dixieland and ragtime.. Blues evolved and no one single person is credited with its invention. . Musicologist credit Charlie (Charley) Patton as the first known blues artist. . The Blues begins to travel. With the success of early blues artist, the blues will begin to spread to other parts of the rural south and across the country developing different regional styles and stars. Critic. 'You automatically stop thinking about anything else and listen': . Phillip Larkin in 1966 .  . Larkin ignored . jazz’s development after the bebop revolution of the late Forties. . Bop is “nervous . Jazz plus Jazz = Jazz (Parks & Rec). Is This Jazz? Duke Ellington . Is This Jazz? (Abercrombie, Erskine, . Mintzer. , . Pattitucci. ). Is This Jazz? (Tim Akers). Some. Eras and Genres in Jazz. New Orleans – (late. Paul Whiteman. Possibly the first pop superstar, called the “King of Jazz” during the 1920s. Symphonic jazz – Whiteman attempted to “make a lady out of jazz”. Wanted to hire “some jazz musicians, preferably black” in 1926. Glamour, culture, and excitement!. The Lost Generation. Finding a new meaning of life in postwar America. La Vie Boehme!. "Bohemian" is applied to people who live unconventional, usually artistic, lives.. The Nature of Improvisation. in Jazz Music. The . Nature . & Methods . of . Improvisation. The . Etymology . of “Improvisation”. Improvisation versus Composition. By: Zhana Holloway. Introduction Paragraph. The beginning of Street and Jazz dance started in 1937. Street dance evolved from informal dancing often done in informal settings in night clubs, school and on the street. Street jazz dance was inspired by traditional dance performed outside of professional studios. Considered by some as a sub-dance style or variation of hip hop,street jazz dance has several forms: hip hop, jazz dance, broadway dance, breakdancing and contemporary dance.. Manuel DeLanda is a distinguished writer, artist and philosopher. In his new book, he offers a fascinating look at how the contemporary world is characterized by an extraordinary social complexity. Since most social entities, from small communities to large nation-states, would disappear altogether if human minds ceased to exist, Delanda proposes a novel approach to social ontology that asserts the autonomy of social entities from the conceptions we have of them.

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