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Chase Young, PhD Texas A&M University Chase Young, PhD Texas A&M University

Chase Young, PhD Texas A&M University - PowerPoint Presentation

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Chase Young, PhD Texas A&M University - PPT Presentation

Corpus Christi Student Produced Movies as a Medium for Literacy Development PPT and materials a vailable for download at thebestclassorg Elocution According to Hyatt 1943 Reading fluency began as elocution instruction for the purpose of pleasing oral discourse ID: 644738

reading amp 2011 rasinski amp reading rasinski 2011 phase teacher young students text fluency readers literacy worthy development based script mentor theater

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Slide1

Chase Young, PhDTexas A&M UniversityCorpus Christi

Student Produced Movies as a Medium for Literacy Development

PPT

and materials

a

vailable

for

download

at thebestclass.orgSlide2

Elocution

According to Hyatt (1943): Reading fluency began as elocution instruction for the purpose of pleasing oral discourse.Slide3

So it began…

Goodman’s Miscue Analysis

Goodman (1964) conducted a linguistic study on the cues and miscues of 100 primary school readers;

he noticed a phenomenon

. Natural intonation came from comprehension of the text, and was portrayed through oral reading. Although many processes were in play, stress, pitch, and juncture manifested with meaning

.

Automaticity Theory

According to

Laberge

and Samuels (1974) automaticity

of word recognition is a prerequisite of comprehension.

Automaticity frees cognitive resources used

in lower level

processing for

the higher level cognitive processes necessary for comprehension.Slide4

My InspirationSlide5

Monday: Select scripts and read for meaning

Tuesday: Choose parts and focus on automaticityWednesday: Focus on expressionThursday: Practice PerformanceFriday: Performance

Readers Theater

(Griffith &

Rasinski

, 2004;

Martinez

,

Roser

, Strecker, 1998; Young & Rasinski

, 2009;

Vasinda

& McLeod,

2011

; Worthy, 2005; Worthy & Prater,

2002Slide6

Implementing Readers Theater

VideoSlide7
Slide8

 In this strategy, students produce movies based on mentor texts or student-created parodies. The students move through a complex technology-based process that deepens their understanding of text (Young &

Rasinski, 2013). 

Overview of the StrategySlide9

Consider reading preferences (

Pachtman & Wilson, 2006) Explore genres (

Risko

& Walker-

Dalhouse

, 2011).

Visually represent sequences of text (

Naughton

, 2008),

Compose summaries (NICHD, 2000)Transform texts into dialogue ideal for movie production (Culham

, 2011;

Dorfman

&

Cappelli

, 2007; Young &

Rasinski

, 2011

)

Students utilize software to produce a movie (National Governors Association for Best Practices & Council of Chief State School Officers, 2010)

Literacy Skills and Processes Slide10

Phase 1: Grouping Phase 2: Idea Development

Phase 3: Script Treatment Phase 4: Storyboard

Phase 5: Scripting

Phase

6: Preproduction Conference

Phase 7: Filming

Phase 8: Post-Production

Student Produced Movies(Young &

Rasinski

, 2013)Slide11

Students groups are selected based preferred genre.

Phase 1: Grouping

(

Risko

&

Walker-

Dalhouse

, 2011; Pachtman

& Wilson, 2006)Slide12

Students choose method for creating scripts: mentor, parody, or from scratch

Phase 2: Idea Development

(Culham, 2011; Dorfman &

Cappelli

, 2007; Smith, 1994)Slide13

Students write a summary and assign roles

Phase 3: Script Treatment

(National Institute of Child Health and

Human

Development, 2000)Slide14

Phase 4: Storyboard

(

Naughton

, 2008)Slide15

As students create their scripts they are analyzing the original text from the point of view of the writer. What did the author do to make his or her writing so engaging? How can we incorporate those features into my script

?

Phase 5: Scripting

(

Culham

, 2011;

Dorfman

& Cappelli, 2007; Smith, 1994; Young

& Rasinski, 2011)Slide16

Enhancing Authors’ Voice Through Scripting (Young & Rasinski, 2011)

Parody

Sophia Finds a Turtle

Take it a Step Further with

SPMS

Mentor Text

As is…or…slight variation

Voice Variation of Billy Goats Gruff

Scratch

King Kong

vs

Second Grade

VIDEOSlide17

The production team meets with the teacher and discuss light edits, materials, and responsibilities.

Phase 6: Preproduction ConferenceSlide18

Rasinski on DIBELS

Video

Practicing Prosody

Prior to filming, students rehearse.

(Griffith

&

Rasinski

, 2004; Martinez,

Roser

, Strecker, 1998; Young

&

Rasinski

, 2009;

Vasinda

& McLeod, 2011; Worthy, 2005; Worthy & Prater,

2002)Slide19

The student director…

runs the production of each scene

carries

the storyboard and

script

leads

the class to filming

locations

makes

sure all props and materials are ready

directs

characters’ actions and assists with their lines.

Phase 7: FilmingSlide20

Students learn how to upload the movies into the software, drop clips into the editing line, delete unused takes, reorder and cut clips, configure special effects, utilize transitions, add music, and create title and credit sequences.

Phase 8: Post-ProductionSlide21

SPM Written and Produced by Second GradersGenre: Comedy. Method: Parody

VideoSophia Finds a TurtleSlide22

SPM Written and Produced by Second GradersGenre: Horror. Method: Mentor

VideoThe Bad NewsSlide23

Students reflected on their reading preference, identified

different genres, composed summaries, drafted sequences,

used

their knowledge of story structure to deconstruct text and turn it into a new creation, rehearsed the script focusing on expressive and meaningful reading, proficiently wielded multiple technologies, and offered their unique

understandings of text.

SPMs and LiteracySlide24

Students Had a PurposeSlide25

Culham, R. (2011). Reading with a writer’s eye. In T.

Rasinski (ed.), Rebuilding the Foundation, Effective Reading Instrution for the 21st Century (pp. 245-270). Bloomington, IN:

Solutiontree

.

Dorfman

, L. R., &

Cappelli

, R. (2007) Mentor texts: Teaching writing through children’s

literature, K-6. Portland, Maine: Stenhouse

.Dunn, M. W. (2011). Ask, reflect, text: Illustrating story plans with art. Journal Of Research In Childhood Education, 25(4), 376-389.

Griffith

, L.W., &

Rasinski

, T.V. (2004). A focus on fluency: How one teacher incorporated fluency with her reading curriculum. The Reading Teacher, 58(2), 126–137. doi:10.1598/ RT.58.2.1.

House

, E. R. (1979). Coherence and credibility: The aesthetics of evaluation. Educational Evaluation And Policy Analysis, ERIC, Ipswich, MA. Accessed December 27,

2012

Kist

, W. (2000). Beginning to Create the New Literacy Classroom: What Does the New Literacy Look Like? Journal of Adolescent and Adult Literacy, 43, 710-718

.Krathwohl

, D. R. (2002). A revision of Bloom’s taxonomy: An overview. Theory into Practice, 41, 212-264.

Lapp

, D., Moss, B., &

Rowsell

, J. (2012). Envisioning new literacies through a lens of teaching and learning. The Reading Teacher, 65(6), 367-377.

ReferencesSlide26

Martinez, M., Roser, N.L., &

Strecker, S. (1998). “I never thought I could be a star”: A readers theatre ticket to fluency. The Reading Teacher, 52(4), 326–334.National

Institute of Child Health and Human Development. (2000). Report of the National Reading Panel. Teaching children to read: An evidence-based assessment of the scientific research literature on reading and its implications for reading instruction (NIH Publication No. 00-4769). Washington, DC: U.S. Government Printing Office.

Naughton

, V. M. (2008). Picture It! Reading Teacher, 62(1), 65-68.

Pachtman

, A. B., & Wilson, K. A. (2006). What do the kids think? Reading Teacher, 59(7), 680-684.

Rasinski

, T. V.,

Reutzel, D. R., Chard, D., &

Linan

-Thompson, S. (2011). Reading Fluency. In M. L.

Kamil

, P. D. Pearson, B.

Moje

, & P.

Afflerbach

(Eds.). Handbook of Reading Research, Volume IV (pp. 286-319). New York:

Routledge

.

Risko

, V. J., & Walker-

Dalhouse

, D. (2011). Drawing on text Features for reading comprehension and composing. Reading Teacher, 64(5), 376-378

.

ReferencesSlide27

Smith, F. (1994). Writing and the writer (2nd edition). Hillsdale, NJ: Lawrence Erlbaum Associates

, Publishers.Vasinda, S., & McLeod, J. (2011). Extending readers theatre: A powerful and purposeful match with podcasting. The Reading Teacher, 64, 486-497.

Worthy

, J. (2005). Readers theater for building fluency: Strategies and scripts for making the most of this highly effective, motivating, and research-based approach to oral reading. New York: Scholastic.

Worthy

, J., & Prater, K. (2002). “I thought about it all night”: Readers Theater for reading flu-

ency

and motivation. The Reading Teacher, 56(3), 294–297.

Young

, C., & Rasinski, T. (2009). Implementing Readers’ Theater as an approach to classroom fluency instruction. The Reading Teacher, 63(1), 4–14. doi:10.1598/RT.63.1.1

Young

, C., &

Rasinski

, T. (2011). Enhancing authors' voice through scripting. The Reading Teacher, 65(1), 24–28

.

Young, C., &

Rasinski

, T.

(2013).

Student produced movies as a medium for literacy development, 

The Reading Teacher

References