PPT-The Structure of Music

Musical Forms Identification Repetition and Contrast major parts of form Divide music into its major sections Music tends to be in 4 bar phrases Or multiples of 4 81216 Utilize letters to identify sections. And people everywhere in the world will relate to that Lyman MacInnis Managing Director Balmur Management Ltd Appropriately enough my 64257rst encounter with country music was while driving with my father Navigating highways and back roads en route i They will be able to use the seven Elements to create interest and contrast in performance Instruments of the Orchestra x Strings x ArcoPizz x Con sordino x Woodwind x Embouchure x Brass x Per cussion x Conductor x Symphony x Concerto i Students i 1385 Enhanced production and perception of musical pitch in tone language speakersETER Q. PFORDRESHERUniversity at Buffalo, State University of New York, Buffalo, NewYorkANDTEVENROWNMcMaster Universi are used for vocal and instrumental sounds discrimination in order to identify the intro, interlude and coda [15] of a popular song in final music structure analysis. CQT features are used to represe A Probabilistic Approach. . David Temperley. Eastman School of Music. University of Rochester. Four goals of music performance:. Render the notes (and other score information) correctly. Review. Directions:. Identify the music . vocabulary. word that matches. the . given definition. .. Students will be called at random so . everyone should . be prepared to answer. Please respect your classmates right . ,$%!(%25-3-36!&5-(!)+!,)3%*!7)2&(-*%0!53!-3*,537%!)+!,$%!-3,%(=5/!7/5**!,%(2%0!I !"#$%530!&"'!"#$%-3,%(=5/!7/5**%*!.5*!&()0'7%0!8;!0.#0!-.12.3&-!4+3!,$5,!*&533%0!@!*,(-36*:!)(!-,*!-3=%(*-)3:!Q!*,(-36 FORM. FORM is the . structure. of a composition, the . frame. upon which it is constructed. . Form is based upon . repetition, contrast. and . variation. . . Certain specific forms include sonata-allegro form, . DISNEY’s. ANIMATED FEATURES. Oliver Lindman. STRUCTURE OF PRESENTATION. The . title. – . explanation. and . background. The research . questions. Literature. . review. - . overview. Structure. http. ://nema.lis.illinois.edu. J. Stephen Downie. Graduate School of Library and Information Science. University of Illinois at Urbana-Champaign. jdownie@illinois.edu. Projects at IMIRSEL and its Partners. TIPS IN WRITING MUSICAL ANALYSIS. LISTEN. – melody, instrumentation, contrast, tonality, rhythm, repetition. LOOK. – score reading: key, themes, indicate measures to emphasize highlights. 3. OBSERVE. Musical Analysis. Compare and Contrast. Aida: . Ritorna. . vincitor. . – Return a conqueror, Verdi. Aida: . The Past is Another Land. , John. Magnitude. Listening for Clues. A heightened expression of a character’s experience. TODAY WE WILL:. 1. WITTW and Gaps. 2. Create Routine needs list. Artistic Development of Music/Routine structure/Transitions/Figures/Emotion/Highlights – in other words all areas in your lists. Games playing in and out of water to create video log and plans. and evolving for the 21. st. Barbara Dobbs Mackenzie. President, IAML. Director, Brook . Center. for Music Research and Documentation, . The Graduate . Center. , The City University of New York.