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MEDIA REPRESENTATIONS MASCULINITY AND FEMININITY MEDIA REPRESENTATIONS MASCULINITY AND FEMININITY

MEDIA REPRESENTATIONS MASCULINITY AND FEMININITY - PowerPoint Presentation

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MEDIA REPRESENTATIONS MASCULINITY AND FEMININITY - PPT Presentation

The representation of women in Media Feminism visual pleasure and voyeurism The Male Gaze Theorist Laura Mulvey The gaze is a term that describes how viewers engage with visual media Originating in film theory and criticism in the 1970s the gaze refers to how we look at visual ID: 725752

women media gauntlett male media women male gauntlett men madonna gaze masculine gender mulvey complex view whore gaze

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Slide1

MEDIA REPRESENTATIONS

MASCULINITY AND FEMININITYSlide2

The representation of women in Media

Feminism, visual pleasure and voyeurism Slide3
Slide4

‘The Male Gaze’

Theorist: Laura Mulvey

The “gaze” is a term that describes how viewers engage with visual media. Originating in film theory and criticism in the 1970s, the gaze refers to how we look at visual

media.

Mulvey

argued that traditional Hollywood films respond to a deep-seated drive known as “

scopophilia

”: the sexual pleasure involved in looking.

Mulvey’s

concept is more accurately described as a heterosexual, masculine gaze.Visual media that respond to masculine voyeurism tends to sexualise women for a male viewer. As Mulvey wrote, women are characterised by their “to-be-looked-at-ness” in cinema. Woman is “spectacle”, and man is “the bearer of the look”.Slide5

The Postman Always Rings Twice

 (1946) offers a famous example of the male gaze. In the scene below, the audience is introduced to Cora Smith, the film’s lead female character. Using close-ups, the camera forces the viewer to stare at Cora’s body. It creates a mode of looking that is sexual, voyeuristic, and associated with the male protagonist’s point-of-view.Slide6

The

Madonna

/ Whore

Complex

Madonna

Virgin

Kind

Motherly

White

WHORE

Promiscuous

Temptress

manipulater

Black

Theorist: Sigmund

Freud

The Madonna-Whore Complex is known as the distinction men draw between the women they desire and the women they respect – with the implication that those two categories are mutually exclusive.Slide7

Analysing Media texts with feminist theory

In pairs

How are the women in these images subjects of the ‘Male Gaze’ and the ‘Madonna/Whore’ complex?”Look at the codes within the image: colour; gesture; facial expression; props; proxemics

etc.

How do these codes signify that the women are subjects of the ‘male gaze?

10 minutesSlide8

“How are the women in these

images

subjects of the ‘Male Gaze’ and the ‘Madonna/Whore’ complex?”

10

mins

Can you think of any other media examples that conform or reject these representations?Slide9
Slide10
Slide11

Different interpretations of the ‘Male Gaze’Slide12
Slide13
Slide14
Slide15

Gauntlett

Quotes

http://media.leeds.ac.uk/files/2012/05/miriam-lowe.pdf Gauntlett believes that the pressure to attain this beauty ideal is on men as well as women. “Today, men are expected to spend time in the gym, working to develop ‘tight, toned’ bodies. Women who have these well-toned bodies are likely to expect – equitably enough – that men will put in

similar effort. Every male film star today has to have a good body, just as women do. So you might say that it’s a pressure that our culture puts on people these days, but it’s not just limited to women” (2002: 78).Slide16

It is perhaps as a result of this greater media emphasis on women and the ideal body that it would seem that men can easily get away with any imperfection, whereas for women, even the smallest aberration is deemed entirely unacceptable in today’s media culture (

Gauntlett

2002: 79).Slide17

Furthermore, there has been a tendency for men to be portrayed as more active, decisive, courageous, intelligent and resourceful than women and the quantity of men in film and television is recognized as being much greater also (

Gauntlett

2002: 56).Slide18

Gauntlett

(2002: 58) even goes as far as saying that since the 1990s gender roles on television have become increasingly equal and non stereotyped.

Another popular research finding in the past has been that women are often portrayed as passive whereas men are more likely to be portrayed as active (Gauntlett 2002: 56 and Gallagher 1980, 1985 cited in Van Zoonen 1996: 17).Slide19

McRobbie

McRobbie

refers to the way it has become quite common for the media to use the bodies of young women as a way of differentiating their social class in a derogatory manner. McRobbie uses the example of ex Atomic Kitten singer Kerry Catona who was referred to on a website as ‘pramface’. This term is used to indicate a girl who is single, with a baby, not very presentable, not appealing enough to attract a long-term partner, does not go to work and therefore lives on benefits. “The bodies of young women are now to be understood according to a scale running from

welfaredependent, single maternity, marking failure, to well-groomed, slim, sophistication, marking success” (2004: 102). Furthermore, for the media to portray a woman as ‘sexy’ there are certain stereotypical criteria that tend to always have to be met. The woman has to have a thin body with a perfectly flat stomach, show lots of cleavage, and have skin so smooth that it looks more like plastic than flesh (Walsh-Childers 2003: 141-3).Slide20

https://gportt.wordpress.com/tag/judith-butler

/

https://prezi.com/utm1aur7d0nk/judith-butler-laura-mulvey/https://curatingthecontemporary.org/2014/11/07/subverting-the-male-gaze-femininity-as-masquerade-in-untitled-film-stills-1977-1980-by-cindy-sherman/

http://www.theoryhead.com/gender/mgi-rev2.pdf Slide21

Young and Hayward

Commodification of crimeSlide22

Lady

Gaga’s

‘Fame’ perfume advert

In pairsAnalyse

the following print advert for Lady

Gaga’s

perfume ‘Fame’.

How far do you agree that the representation of Lady Gaga fits into

Gauntlett

and McRobbie’s view of female representation?Is Gaga subject to the Male Gaze as Mulvey suggests and/or Freud’s Madonna/Whore complex?Remember to use media language!Slide23

How far do you agree that the representation of Lady Gaga fits into

Gauntlett

and McRobbie’s view of female representation?

Is Gaga subject to the Male Gaze as Mulvey suggests and/or Freud’s Madonna/Whore complex?Slide24
Slide25

Why do we need to

define

our gender?Slide26

Gender construction

Mindmap

: ‘In what ways does the Media force us to define our gender?’Slide27

Your view of ‘masculinity’ will be affected by your ideologies, your culture, your consumption of media culture, your childhood…..

So: What does it mean to be masculine?Slide28

Group feedback

Make sure you’re writing down other’s ideasSlide29

Masculinity in Media texts

What media texts can you think of that reinforce a stereotypical view of masculinity?Slide30

GTA V

Analyse the following image: how are masculine stereotypes reinforced or challenged?Slide31
Slide32

Gender Theory

How far do you agree that ‘GTA V’ advert represents traditional and/ or retributive masculinity?

Remember to use media language in your answer!

https://www.youtube.com/watch?v=QkkoHAzjnUsSlide33

GTA V

In a report from ‘Games Industry’,

Rockstar Games co-founder and vice president of creativity Dan Houser explained why the game’s protagonists are all male: “The concept of being masculine was so key to the story”, Houser said. A male protagonist has been the key character in each installment of the series thus far which has been met with some criticism. Online gamers

will be able to create female avatars for GTA V online multiplayer, however. Slide34

Does the response of Dan Houser change your perception of the masculine representations within the advert?

How do you feel about his response? Slide35

Individually

Analyse

a section of the Rockstar games website- Where are the representations of traditional and/ or retributive masculinity?