PRESENTED BY Frances Ramona Pantig Joyce Cristene Marquez Fatima Munoz Bianca Monique Bargas 1 Fundamentals of Music PreSpanish period Frances Ramona Pantig Fundamentals of Music 2 Filipinos are said to be Musical Peoples ID: 734201
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Slide1
Periods in History of Philippine Music
PRESENTED BY:
Frances Ramona PantigJoyce Cristene MarquezFatima MunozBianca Monique Bargas
1
Fundamentals of MusicSlide2
Pre-Spanish period
Frances Ramona
Pantig
Fundamentals of Music
2Slide3
Filipinos are said to be Musical Peoples.
In most cases, singing is accompanied by dancing.
They used Bamboo canes, Palm leaves and bark of trees to write their songs and a piece of sharp stick or iron for their pen.Even their instruments were made of Bamboo and wood which indicated their primitiveness.
Fundamentals of Music
3Slide4
Functions of their music:
ReligiousSocial life
Characteristics of their Music: Recitative
Mostly simple two note music
Example of these are:
Dal
-lot – a song sung by farmers during wedding, baptismal and others parties accompanied by
Kutibeng
(guitar).
Pamulinawen
– is a love song
Dung-aw – is a song requesting a dead person to be good in his next life.
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4Slide5
Origins of their Music
Early Filipinos music was influenced by trade relations other races like:
MalaysIndonesians
Arabs
Chinese
Indo-Chinese
Japanese and
Hindus
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5Slide6
Chinese, Japanese and Hindus introduce their five-tone scale called pentatonic.
The rhythmic effects through the use of gongs, drums and cymbals were brought by Hindus and Mohammedans.
Reed type of wind instruments were brought by Japanese and Chinese
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6Slide7
Musics
according to their category:Ordinary songs (diyuna,
talindaw) Street songs (
indulamin, suliranin)
Sorrow (
dalit
,
umbay
)
Wedding (
ihiman
)
Rowing (
tigpasin
, kalusan)
Lullaby (
hele-hele
,
hili
,
oyayi
,
iyaya
)
Success (baling-kungkong, dapayanin, hiliran, sambotani, tagumpay)House (tingad) General merry making (kalipay)Counting (urukay)
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7Slide8
Musical Airs From different Regions
Filipino Music has grown from the simple two note melody to the music that has become today.
The following are the native music from different provinces in the Philippines.
Fundamentals of Music
8Slide9
Musical Airs From different Regions
Bontoc Province:Ayegkha
Pagpag
Bontoc Annaoy
Davao
Toddonan
Igorot
Milling
Ayoweng
Agusan
Tub-ob
Zambales
Whistle
Sulu
Tungungo
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9Slide10
Negros
Kalooye Nueva
Icija Kadumang
Abra
Diwdiw
-as
Bunkaka
Batanes
Kalusan
Benguet
Igorot
Bukidnon
Dilay
-on
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10Slide11
Forms
Their songs were more of recitative but the melody exudes customs, traditions and aspirations.Origins
Most of the songs were adapted to other countries who traded with them, like:Malays
Indonesiansothers
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11Slide12
Spanish Period
Joyce
Cristene
Marquez
Fundamentals of Music
12Slide13
CHARACTERISTICS
More conservative style of sacred music.Minor key at the beginning shifts to a major key in the 2nd-half
Kundiman.Canto Ilocano, monophonic unmeasured style notated utilizing note shapes diferrent
from the neumes of Gregorian chant (composition of the Kirial).
Canto de Oregano, simple polyphonic settings in to two or more vocal portraying.
Religiosity and Musicality – salvation of self-expression
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13Slide14
Musical Forms
Sacred MusicFigured Chant Music
Measured Plainsong1795 (Golden Age of Sacred Music)Passion Song
Other Musical Forms
Songs
Harana
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14Slide15
Music
as a fine artas a subject to be taught
Fundamentals of Music15Slide16
Songs
Spanish Period
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16Slide17
1.Tagulaylay: counterpart of “lamentation”
2. Palimos: song for begging
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17Slide18
3.Kumintang: originated in
Balyan, Batangas
a. Kumintang of the conquest b.
Kumintang of the Balayan c.
Kumintang
with which the
Awits
are accompanied
Examples:
“La
Tagala
” -- Jose Estella
“
Amihan
” -- Antonio Molina“Auras de Terruno
” -- Juan S. Hernandez
“
Pagdilidli
” --
Lucino
Sacramento
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18Slide19
4.
AwitExamples:“
Awit” -- F. Santiago“Ang
Ulila” -- Antonio Molina“
Batingaw
na
Pilak” -- Antonio Molina“
Recuerdo
de Filipinas y
Sus
cantares”--Diego Perez
Fundamentals of Music
19Slide20
5.
BalitawBalitaw Mayor
Visayan BalitawTagalog
BalitawDansa
Menor
Examples:
1. “Hating-
gabi
” -- Antonio Molina
2. “
Sampaguita
” --
Dalores Paterno
3. “Ay, Ay,
Kalisud
” -- Visayan Folksong
6.
Kundiman
: came from the words “
king
hindi
man”
Fundamentals of Music20Slide21
Philippine Folk Dances
Fatima Munoz
Fundamentals of Music
21Slide22
There are 175 folk dances in the Philippines in which Jose Rizal was all praise for these.
Filipinos enjoyed European dances like the: (next slides)
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22Slide23
LA CUCARACHA
Fundamentals of Music
23Slide24
FANDANGO
Fundamentals of Music
24Slide25
SAPATAEDO
Fundamentals of Music
25Slide26
TANGO
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26Slide27
RIGODON
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27Slide28
These dances reflect almost all facets of the people’s lives such as:
ReligiousOccupationalEntertainmentRecreational
CourtshipMarriageBaptismWar
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28Slide29
Best exports of the Philippines and propagandize of the country’s vast reservoir of inalienable heritage:
Bayanihan Dance TroupeBarangay
Dance Troupe
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29Slide30
Lucrecia
urtulaWell known choreographer of the world famous Bayanihan Dance troupe who said that Philippine indigenous music can be divided into 3 distinct groups: (featured in next slides)
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30Slide31
First group
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31Slide32
rondalla
A string band consisting of plucked instruments as the guitar, banduria, octavina, laud, and banjo.
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32Slide33
Second group
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33Slide34
The muslim
filipino instrumentsassortment of brass instrumentsGANSAKULINTANG
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34Slide35
The mountain region instrumens
Bamboo FluteGong
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35Slide36
Philippine Theater
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36Slide37
Tondo
Theatre – was erected mainly to stage Tagalog plays in 1841. Spanish dramas were acted also there.
Teatro Castellano – better known as Teatro
de Binondo was built by Engineer Jose Bosch for Manuel Ponce de Leon of where a variety of songs and plays are exhibited.
Teatro
Comico
in Manila
– Wenceslao
Retana
y
Gamboa
mentioned the existence of these theatre in 1790.
Fundamentals of Music
37Slide38
Arroceros
Theatre - near the Mehan garden presented Tagalog plays according to Juan Atayde
.Casino in Intramuros
– here, evening parits were held by social gatherings particularly the Recreational Society.
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38Slide39
CENACULOS
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39Slide40
PASSION PLAYS
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40Slide41
Performances were held in vacant lots or fields.
During celebrations such as town fiestas, performers used provisional stage of nipa and bamboo.
Later, theatre bodegas, as those seen over cockpits appeared.
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41Slide42
THEATERS
In 1841, Tondo Theatre was erected mainly to stage tagalog
plays.Teatro
Castellano or Teatro
de
Binondo
was built by Jose Bosch.
In
1790,
Teatro
Comico
de Manila was mentioned by Wenceslao
Retana Y Gamboa
Social gatherings were held at the
Casino in
Intramuros
by the
Sociedad
de
Recreo
.
There were dancing, singing and instrumental performances.
Fundamentals of Music42Slide43
Most popular vernacular presentations
Fundamentals of Music
43Slide44
Moro
moro -
depicts the battle between the Christians and Muslims and the adaptations of the legends about knight-errant’s and princesses.
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44Slide45
Carillo
is a shadow play using puppets made from cardboard.
The themes were derived from the libretto from “Don Quixote”, “Buhay ng
Mahal ng
Panginong
Hesukristo
”
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45Slide46
Zarzuela
Piece of entertainment with improvised plots that used in comic, tragic, fantastic,, melodramatic or a combination of all. Later, these “Fiestas de Zarzuelas” were simply called Zarzuela that involves singing and dancing in it. It has no definite form. Singing was free and imaginative. Audience swapped comments with the artists called
Piscatory Eclogue.
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46Slide47
Piscatory
Eclogue is preceded by loa and mojiganga.
Loa
is a prologue, spoken by two of more actors.Mojiganga
-
a popular festival and carnival time, a sort of burlesque masquerade accompanied by flute, castanets and side drums.
After middle of the 17
th
century the
mojiganga
was replaced by the
“Fin de fiesta”.
The best
zarzuelistas
are from Pampanga
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47Slide48
American Period
(1898 - 1941)
Bianca Monique
Bargas
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48Slide49
The American Educational System have greatly influenced the Philippine system of music education with the treatment of music as a part of broad pattern of liberal education.
With the establishments of conservatories (schools for special instruction in music), formal education in music started.
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49Slide50
Philippine opera
Fundamentals of Music50Slide51
Philippine Opera evolved from the Zarzuela.
Zarzuela was based on the European metrical tales and set to the familiar Spanish tunes which easily gained approval among the traditionally theater loving Filipinos.
All Zarzuelas are nationalistic in nature
Fundamentals of Music51Slide52
Examples of Zarzuelas:
Minda Mora (Minda, the Moro Girl) – Juan Hernandez
Pa-ibig sa
Tinubuang Lupa (Love of Country) –
Pascual
Poblete
Tanikalang
Guinto
(Chain of Gold) – Juan Abad
Walang
Sugat
(No Wound) – Severino
Reyes
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52Slide53
Characteristics:
American singing trough jazz invaded the countryMost of the songs are nationalistic in nature
Instrumental music and vocal music are both important in this periodNon-commercial
Musical Form(s):Symphony
Opera
Opera
Buffa
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53Slide54
Japanese Occupational Period
(1942 - 1945)
Bianca Monique
Bargas
Fundamentals of Music
54Slide55
Their desire to propagate
nipongo as the common language was a dismal failure.This was the darkest period in the history of the Philippines.
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55Slide56
Characteristics
PentatonicEmploys the universal material of sound organized by rhythm, melody and tone qualityMonophonic
Sentimental and religiousuplifting, driving, and rollicking
emotional, poetic, or even somberemotional, poetic, or even somberThe rhythms are based on ma; silence is important
The
tempo
usually starts out very slow and gets faster, returns to being slow again, and has a drawn-out ending
FORMS
Musical March
Symphony
Orchestra
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56Slide57
Post Liberation Period
(1945 - 1946)
Bianca Monique
Bargas
Fundamentals of Music
57Slide58
The reawakening of interest in diverse forms of culture is manifested in the proliferation of ensembles, vocal and instrumental not only in schools but also in churches, government and private offices, communities and within the family.
Need for professional growth is evident in holding of in-service-training programs, seminars, workshops, and conferences sponsored by schools, government agencies and musical organizations such as the Philippine Society for Music Education, and the Philippine National Society for music Education.
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58Slide59
CHARACTERISTICS
Vocal and instrumental music are both importantEmotional and creativeSongs of nobility and nationalism were common in that period
The use of found sounds, recorded voices, the shift from increasingly chromatic surfaces to more triadic ones or the reverse, the use of new instrumental combinationsFORMS:
SymphonyOrchestra
Sacred/Religious
Instrumental soloist
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59Slide60
Advancement in Musical Development
Bianca Monique
Bargas
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60Slide61
Nationalism in Music
Passage of R.A. 4723Formation of Music OrganizationsThe Music promotion Foundation was created
The Philippine Theater of Performing Arts produces operas and musicals.Use of Educational Television
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Philippine Modern Music
(PRESENT)
Bianca Monique
Bargas
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62Slide63
Original Pilipino Music, now more commonly termed Original
Pinoy Music or Original Philippine Music, (frequently abbreviated to OPM) originally referred only to Philippine pop songs, especially those in the ballad form.Having successfully created a subgenre of Philippine Rock they called
Bisrock, the Visayans by far have the biggest collection of modern music in their native language
Inspired by what the locals call "Kapampangan cultural renaissance," Angeles City-born balladeer Ronnie Liang rendered
Kapampangan
translations of some of his popular songs such as "
Ayli
" (
Kapampangan version of "Ngiti
"), and "
Ika
" (
Kapampangan
version of "Ikaw") for his repackaged album..
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63Slide64
Best-Selling Albums
Christmas in Our Hearts 1990 Jose Mari Chan (20x Platinum)Constant Change 1989 Jose Mari Chan (10x Platinum)
Cutterpillow 1995 Eraserheads
(10x Platinum) Nina Live! 2005 Nina (8x Platinum)
Forevermore EP
1995 Side A (8x Platinum)
Paraiso
1991 Smokey Mountain (8x Platinum)
Smokey Mountain
1989 Smokey Mountain (8x Platinum)
Halik
2000 Aegis (7x Platinum)
Ten Years Together
1980 APO Hiking Society (7x Platinum)
10 Habang
May
Buhay
1995 Donna Cruz (7x Platinum)
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Philippine Rock Music
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65Slide66
Juan
Dela Cruz Band, a Garage Rock- and Blues Rock-influenced group consisting of guitarist Wally Gonzalez, bassist Mike Hanopol, and drummer Pepe Smith, are often credited for ushering in the first "rock & roll revolution" in the Philippines that lasted from the late '60s to the late '70s (also known as the
Golden Age of Pinoy Rock). Considered by many to be the "grandfathers" of Pinoy
RockThe most notable achievement in Philippine rock of the 1960s was the hit song "Killer Joe," which propelled the group "Rocky Fellers" which reached number 16 on the American radio charts.
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66Slide67
Grandfathers of
pinoy rockPepe SmithMike Hanopol
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67
Wally GonzalesSlide68
Folk-rock became the Philippine protest music of the 1980s, and Aguilar's "
Bayan Ko" (My Country) became popular as an anthem during the 1986 EDSA Revolution. At the same time, a counterculture rejected the rise of politically focused lyrics
1990s saw the emergence of a superstar pop-rock group, the Eraserheads, considered by many Philippine nationals as the number one group in the Philippine recording scene.
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Characteristics
Philippine rock musicians added folk music, and other influencesPop-rock groups became more popular among teensThe Neo-Traditional genre in Philippine music is also gaining popularity
Vocal music is more important than instrumental musicAn aim of appealing to a general audience, rather than to a particular sub-culture or ideology
An emphasis on recording, production, and technology, over live performance
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~END OF PRESENTATION~
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70