PPT-The Waste Land By: T. S. Eliot

Eliots Waste Land Eliots Waste Land httpinfographicsitecomwpcontentuploads201209thewastelandjpg About The Waste Land The Waste Land caused a sensation when it was published in 1922 It is today the most widely translated and studied Englishlanguage poem of the twentieth century This is perhaps surprising given the poems length and its difficulty but Eliots vision of modern life as plagued by sordid impulses widespread apathy and pervasive soullessness packed a punch when readers first encountered it. realism.. . Arguably . the most paradigmatic motive of modernism is the rejection of . tradition and . its reprise, incorporation, rewriting, recapitulation, revision and parody in new . forms.. . Modernism . Revising for Clarity and Meaning. 1. Preludes. (1917), a poem by T.S Eliot, portray the subjective experience of a person and the objective reality. He reflects on the fragmented alienation from the physical reality as he challenges the limits of one’s consciousness. Presented by. Somnath. . Pyne. Secretary, Freed. . The . F . orce. for . R . ural. . E . mpowerment. and . E . conomic. . D . evelopment. . 128/18, Hazra Road, 1st Floor. Kolkata, India. +91.33.6450.6521. By: T. S. Eliot. Eliot’s Waste Land. Eliot’s Waste Land. http://infographicsite.com/wp-content/uploads/2012/09/the-waste-land.jpg. About The Waste Land. ". The Waste Land. " caused a sensation when it was published in 1922. It is today the most widely translated and studied English-language poem of the twentieth century. This is perhaps surprising given the poem's length and its difficulty, but Eliot's vision of modern life as plagued by sordid impulses, widespread apathy, and pervasive soullessness packed a punch when readers first encountered it.. Residential. Commercial. Institutional. Construction and demolition. Municipal services. Treatment plant sites. Industrial. Agricultural. Biomedical waste. Municipal solid waste (MSW) . Industrial solid waste . Eliot’s. . The Waste Land. ”. Alessandro . Serpieri. The Waste Land. April . is. the . cruellest. . month. , breeding . Lilacs. . out of the dead . land. , mixing . Memory and desire, . stirring. 1890 – 1930. An age of crisis. index. Slide 3: Historical changes. Different critical elements:. Slide . 4: Philosophical and Literary crisis. Slide 5: Scientific crisis. Crisis’ reactions:. Slide . BIRTH:. Thomas Stearns Eliot . September 26, 1888 in Missouri. . CHILDHOOD:. father, Henry Ware Eliot, . mother, Charlotte Champe Stearns, . was a teacher. . At the time of Eliot’s birth, his parents were in their mid-forties . 1922 . published. in “The . Criterion. ” in England. November. 1922 . published. in “The . Dial. ” in the USA. December. 1922 . published. in book in the USA . with. the . inclusion. . Why Land Disposal Restrictions?. 1976 RCRA Objective = Prevention of New Superfund Cleanups. Congressional Action. Hazardous and Solid Waste Amendments of 1984. Response to EPA issues. Required EPA to set treatment standards. Commercial. Institutional. Construction and demolition. Municipal services. Treatment plant sites. Industrial. Agricultural. Biomedical waste. Municipal solid waste (MSW) . Industrial solid waste . Hospital waste. The Waste Land. . (2). Overview. Recap on last . lecture. A poem of allusion. Structure. Close reading. The Waste Land. Sources - myth and romance (see Jessie Weston, James Frazer). European literature in general. T. S. Eliot, . The Waste Land . (1922). Modernisms. and World War. “. Kantorek. would say that we stood on the threshold of life. . And . so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land.” (Paul . By Prof. Shikha Singh. 1. Introduction. The composition . of The Waste Land . has a textual history . which is ably reflected in . The waste Land Facsimile . and Transcript of the Original Draft. was edited by Valerie Eliot in 1971..