Danielle Dobias OPRF Jumping Styles Prior to The Fosbury Flop the technique used to get over the bar was a straddle or scissor technique The flop was highlighted at the 1968 Olympics when Dick ID: 325388
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Slide1
High Jump Fundamentals
Danielle
Dobias
OPRFSlide2
Jumping Styles
Prior to The
Fosbury
Flop, the technique used to get over the bar was a straddle or scissor technique.
The flop was highlighted at the 1968 Olympics when Dick
Fosbury
used it to win the gold medal.
The biggest difference between the two jumping styles was that with the flop, the jumper goes over the bar upside down, facing the sky.
This allows the jumper to bend their back which lowers the center of mass.
The straddle technique can be quite useful as a training tool which I will touch on later. Slide3
Identifying a High Jumper
Tall and thin
Ability to dunk; preferably off one foot
Fearless
Good body control
Body awareness
Basketball players/Gymnasts/DiversSlide4
Two types of jumpers
Speed jumper
Long legs
Over 6 feet tall
Thin; low muscle tone
Fast
Stays tall at
take-off
Power jumper
Under 6 feet tall
Muscular
Powerful
Slow
Gets low at
take-offSlide5
Determining take-off foot
Tell the athlete to stand with feet together and close their eyes.
Stand behind him/her and push them hard enough that they need to take a step forward.
The foot they step forward with is the stronger foot therefore determining the takeoff foot. Slide6
Finding a Mark
Have jumper start at their take-off spot just inside
the near standard and
approximately an arms length out
from the bar
Set a cone 20 feet to the right of the standard and 65 feet back to act as a target for the athlete to run towards
Run a
“reverse-J” back
toward
what their real starting point would be.
Count off
10 steps as they stride away from the bar
at an easy sprint
and mark their 10th
step
Do this several times and mark the 10
th
step each time to find the average mark of the tenth step
Use a bungee and have the athlete take a few jumps with full approach
Pay close attention to approach
and
make adjustments to the mark
You will see things the athletes
cannot
and they will feel things you
cannot, so
make sure to talk through each potential mark before making changesSlide7
Elements of the Jump
Straightaway
The jumper should be very tall
while running the
straightaway
First
five or so steps
in approach should be a boundsSlide8
Problems with Straightaway
Problem #1
Jumper
stands tall at their mark and as soon as they begin their approach they hunch over
Solution #1
Add
slight backbends to jumpers pre-jump routine
If
jumper hunches during approach work blow a whistle and have them start approach
over
Problem #2
In
the last step of the straightaway the jumper crosses the outside foot over the inside foot which leads them cut straight into the bar
Solution #2
Work
on softening the curve; may need to move it out or in depending on how the jumper is transitioning into the turn
Consider
starting with opposite foot taking the first step and adding/removing a stepSlide9
Problems with Straightaway
Problem #3
The jumper stares at the bar for the entire
approach; takes
off
at
the
middle of the bar, which forces them to clear over the highest side of the bar instead of the middle of the bar
which is lowest
Solution #3
Jumper should look straight ahead during the straightaway and at the farthest end of the bar
once curve is initiatedSlide10
Elements of the Jump
Curve
Momentum must be developed through the straightaway
Cutting and stepping out
will decrease the momentum gained
during the straightaway
The athlete should begin an inward lean
at first step into the curve
Outside arm works across body to prepare for rotation
Inside arm reacts and pushes elbow backward
Force on feet should be pushing out and not down. This allows the jumper to maintain traction while leaning into the bar
Jumper should make eye contact with far standard once they transition from the straightaway to the curveSlide11
Problems with Curve
Problem #1
Athlete cuts in or steps out when beginning the curve
Solution #1
Use cones to guide the athlete through the curve
Rub chalk on bottom of spikes to show the imprint of the
feet throughout the approach
Practice shorter approaches so curve is more of the focus Slide12
Elements of the Jump
Penultimate Step
The penultimate step is the last step before the plant. It is critical to the athlete’s ability to get as vertical as possible.
The sooner the
take-off
leg is planted, the better position the athlete will be in to attain maximum vertical velocity.
While the athlete is pushing into the penultimate step,
both
arms should be pulling back
behind the
body. Slide13
Problems with Penultimate
Problem
#1
Jumper
is dragging his trail leg after inside foot is planted
Solution #1
Athlete
may need to move mark up slightly or increase/decrease speedSlide14
Elements of the Jump
Take-off Step
Slight lowering of hips
Your takeoff step should occur
in
front of your body’s center of mass, which
will help in creating a vertical lift
The knee of your inside leg should explode up and stay up until back starts to pass over the bar
Jumper
should have outside arm begin to cross the body as the elbow of inside arm is driving
back which will assist in rotation
The
knee lift will also help begin the rotation of your body so that your back will face the bar at clearance.
Once your plant foot is in contact with the ground the athletes body should move from a lean to more of a vertical stance.
This rotation will occur if the momentum is kept on the curve
The athlete should be jumping straight upwardSlide15
Problems with Take-off
Problem
#1
Athlete
is leaning into the bar after plant
Solution #1
Instruct athlete to get upright after making initial contact
Problem
#2
Athlete
is pounding plant foot into the ground before take-off
Solution #2
Heel
should strike first and roll through the foot off the heel and off the toeSlide16
Elements of the Jump
In Flight
Goal is to clear the
bar
Body must rotate in two ways
Horizontally to get parallel to the bar
To the side so that the back is facing the bar
As the athlete approaches the bar the body needs to arch so the hips are high as possible
Once
the head begins to
tilt
back
,
feet and knees should be close together and not splayed over the bar.
As the hips
clear the bar,
chin should begin to tuck to help
lift
legs
into a straight up position.
Athlete’s upper back should make contact with the pit
Adapted from:
http
://track.isport.com/track-guides/high-jump-takeoff-flight-phasesSlide17
Problems with In-Flight
Problem #1
Athlete is riding the bar and knocking it off with their back.
Solution #1
Athlete needs to arch their back more in air
Problem #2
Athlete is not getting hips up over bar
Solution #2
Hold knee drive longer Slide18
Problems with In-Flight
Problem #3
Ineffective bar clearance
Solution #3
Athlete needs to keep knees together when in-flight to slow down the rotation which allows the athlete more time to
unarch
.
The timing of the
unarch
is critical to the leg and foot clearance of the bar. Slide19
Training
Plyometrics
Core
Yoga
Spin workouts
Pool workouts
Basketball50 meter sprints
Towel runs
Box jumps
Hurdle Work