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Presentation on theme: "Music BTEC Level 2"— Presentation transcript:
Slide1
Music BTEC Level 2
Holy crap you’re in year 11
Slide2
This year you will study………..
Unit 1 – The Music
Industry (Mr Mastrocola)
Unit
4 – Introduction to Composition (Mr Scagell
Unit 5 – Introduction to Performance (Mr Mastrocola)
www.thebourneacademypa.com
Slide3
Unit 1 – The Music Industry
100% Exam –
May
2017
You will
not
pass Music without passing this exam
.
The reason we are taking the exam in Year 10 is so you do not get stressed and sad in Year 11 as you will have so much work to do.
Slide4
Unit 5 – Introducing Music performance
Group
and Solo
performances
Logbook of practising
Video diary of you practising
Performances
@The Christmas Cabaret and The
BTEC composition
Sessions
(May
2017)
Slide5
Unit 1 – The music Industry
Homework – Due in this
Monday 3
rd
October 2016
Complete the PRS questions using your notes from this lesson.
Homework sheet is on
www.thebourneacademypa.com
as is the PowerPoint for you to look through.
If you also look in resources then you will find a video you can watch as well to help you.
Slide6
January 2009: PRS Template Presentation
An i
ntroduction to
PRS for Music
Slide7
MECHANICAL RIGHT
PERFORMING RIGHT
TWO KEY RIGHTS
Slide8
Copyright, Designs & Patents Act 1988 to copy the work to issue copies of the work to the public
MECHANICAL RIGHT
If you can ‘hold’ your music you may receive a mechanical royalty
Slide9
Mechanical income is collected from the manufacturers of :-
MECHANICAL RIGHT
compact discs
records
tapes
retail videos
DVD
television programmes
TV & radio adverts
corporate videos
NOVELTY GOODS
theatrical motion pictures
premium products
multi media products
INTERNET
MUSIC SITES
Slide10
Copyright, Designs & Patents Act 1988 public performances: pubs, clubs, shops, hairdressers or cinemas, etc. communicate a work to the public: television, radio, satellite & cable transmission and the Internet
PERFORMING RIGHT
If you can ‘hear’ your music you may receive a performance royalty.
Slide11
PERFORMING RIGHT
Performance income is collected from radio & TV stations as well as all other music users, including:-
cinemas
hairdressers
hotels
AIRCRAFT
ice rinks
member’s clubs
youth clubs
Bingo
shops
theatres
VILLAGE HALLS
pubs
mobile djs
caravan parks
ice cream vans
circuses
buses
MUSIC ON HOLD
parks
railway stations
boats
universities
Slide12
MECHANICAL RIGHT
PERFORMING RIGHT
PRS for Music
represents both of these rights for songwriters, composers and music publishers
Slide13
Who we are
PRS for Music
is a not-for-profit membership organisation responsible for the collection and distribution of mechanical & performance income.
It brings together two UK royalty collection societies -
the
Mechanical Copyright Protection Society (MCPS)
and
the
Performing Right Society (PRS)
Both of which were set up to collect and pay royalties to members when their music is exploited in various ways – be it recorded onto any format and distributed to the public, performed or played in public, broadcast or made publicly available online.
Slide14
Our role
To provide our customers with licences and collect the fees
To match the use of licensed music to the songwriter and publisher members
To pay royalties to songwriter and publisher members when their music is used
Slide15
£
£
£
£
£
£
£
£
£
music using customers
£
songwriters, composers and music publishers
Slide16
We represent over 75,000 direct members comprised of songwriters, composers and music publishersWe make royalty payments - over £550 million was paid out in 2009We provide access to the world’s repertoire of music – approx 10 million songs!We issue nearly half a million licenses annually in the UK, covering manufacturers of physical product, live venues, broadcasters, business premises and online service providers
What do we do?
Slide17
How did it all begin?
The Performing Right Society (PRS) was founded in 1914 The Mechanical-Copyright Protection Society (MCPS) was set up in 1924 Famous composers who were some of our original members
Arthur Bliss Edward Elgar Gustav Holst
Slide18
…and from that we have grown to over 75,000 members covering all genres…
Rock
Pop
Indie
Classical
Jazz
Hip hop
Garage
Drum and bass
Dubstep
Metal
House
Dance
Electro
Country
Folk
Urban
Bhangra
Breakbeat
Funk
Reggae
Soul
R n B
Punk
Ska
Slide19
PERFORMING RIGHTS
Performance
Broadcast, On-line & Mobile
TV, Film & Radio
Network Operator
Website Owner
TV & Radio Transmission
Mobile Transmission
Streamed Music
Gigs, Clubs & Concert Venues
Pubs, hotels, shops, offices
Cinema & Theatre
Theatrical
Live Performance
Playback of recorded music
Slide20
PRS Member
PRS for Music
Performing right
Radio
TV
Live
Registers songs
Pays
for licence
Pays
for licence
Pays
for licence
Submits
play lists
Submits
play lists
Submits
set lists
Distributes royalties
The Performing Right process
Slide21
MECHANICAL RIGHTS
Physical
Digital
Production
Library CD
Commercial release CD
Commercial release DVD
Covermount CD
Publisher
Manufacturer or Distributor
Record Label
Professional Music User
Digital Music Retailer
Mobile Content Retailer
Website Owner
Downloads
Ringtones
Streamed Music
Slide22
The Mechanical Right process
MCPS Member
PRS for Music
Mechanical right
Record Label
Registers songs
Distributes royalties
Applies for licence
Issues licence
Pays
licence
Slide23
International Royalties
USA
France
Italy
Australia
ASCAP, BMI & SESAC
SACEM
SIAE
APRA
Performance rights
HFA
SACEM
SIAE
AMCOS
Mechanical rights
&
PRS for Music
has nearly 150 reciprocal contracts with mechanical and performance organisations around the world.
Here are some examples of overseas collection societies.
Slide24
Rewarding songwriters
A songwriter is due royalty money when: Their music is performed live in a licensed venue (either by them or another artist) Their music is played on TV, radio, or in a business Their music is streamed or downloaded online Their music is physically reproducedBy becoming a member of PRS for Music, we ensure this money is paid to them!
