PPT-Indian Music
Author : trish-goza | Published Date : 2016-07-13
Chapter 8 Ravi Shankar 19202012 Focal figure of this chapter Master of the sitar master performer of Hindustani raga Passed away shortly after the textbook was
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Indian Music: Transcript
Chapter 8 Ravi Shankar 19202012 Focal figure of this chapter Master of the sitar master performer of Hindustani raga Passed away shortly after the textbook was published Chapter centers on his global . 2008 Fulbright Summer Seminar to India & Sri Lanka. India-South Asian Adventure!. “Unity through diversity” is the theme of the approximately one . billion. people that live in a country that is so big, it’s called a . Music from non-Western Cultures. Sitar. Tampura. Sarod. Tabla. Shehnai. Vēṇu. Harmonium. Melody in Indian Music. Traditional Indian music is generally . melodic. , though it is known for a heavy use of drones to fill in the space behind the melody.. Durcan. IB Music Theory . Indian Classical Music and Davy Graham. India: Demographics. Population: 1,220,800,359 (July 2013 est.). Area: 3,287,263 sq. km. Ethnicities: 72% Indo-Aryan, 25% Dravidian, 3% Mongoloid and other. By: Manan Vora. Jaltarang. The . Jaltarang. . is a . precussion. . instrument. It is played with two sticks . Two sticks are hit on . bowls . with different amounts of. water in them. The . Jaltarang. Chapter 8. Ravi Shankar (1920-2012). Focal figure of this chapter . Master of the . sitar. , master performer of . Hindustani raga. Passed away shortly after the textbook was published. Chapter centers on his “global . Music . in ancient India. , encompassing the modern-day . Indian subcontinent. of . India,. Pakistan, and Bangladesh, can be reproduced from written works dating to . the Indian Classical period. . 1. . Question & Research Task. Music is an essential aspect of Indian culture. . and daily life. In India, music is the language of emotion as well as the expression of thoughts and ideas. . Hindi film songs are a dominant feature of films produced in Bollywood (India’s film capital, like our Hollywood). The film industry and music industry are closely connected. The songs and music in a Bollywood films are considered to be vital to the story. . Area of Study 4:. Rag . Desh. Indian Music: . Context & Background. A long history lasting over 2000 years. Close links with . Hinduism & Indian philosophy. Many Hindu gods are worshiped through performance of . -8753ISSN Print 2347-6710International Journal of Innovative Research in Science Engineering and TechnologyAn ISO 3297 2007 Certified OrganizationWebsite wwwijirsetcomVol 6 Issue 4April2017Copyrigh Shweta Subram is a highly accomplished vocalist and has lent her voice to Bollywood, Indian TV shows, and has performed for various shows across the world. Shweta Subram is a Bollywood Female Playback Singers & Indian Wedding Singers. Shweta Subram is a Bollywood & Kollywood playback singer. She has performed at Various high profile events like IIFA and many award functions. Raut. . Sachin. Filmi. music. The biggest form of Indian popular music is . filmi. , or songs from Indian films, it makes up 72% of the music sales in India. The film industry of India supported music by according reverence to classical music while . 1. Classical Music Of India. The origins of . Indian classical music. can be found in the Vedas . (. Samaveda. ), . which are the oldest scriptures in the Hindu tradition. . Indian classical music has also been significantly influenced by Indian folk music and Persian music. . Music of Malaysia means music that has been created in Malaysia. A huge variety of genres in Malaysian music show the different groups Malaysian society consisting of Malay, Chinese, Indian, Iban, Dayak, Kadazandusun, Eurasians and other groups. In general, music of Malaysia is categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music came during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as Nobat, Mak Yong, Mak Inang, Dikir barat, Ulek mayang and Menora. The syncretic music developed during the post-Portuguese period (16th century) and has bits from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and theatrical sources. .
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