Hannah Chapman The Rosie We Know Rosie the Riveter is an image of a strong woman who fought for her country and at the same time paved a path for herself in the workforce The Unknown Created for ID: 391822
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Slide1
Remembering Rosie the Riveter
Hannah ChapmanSlide2
The Rosie We Know
Rosie the Riveter is an image of a strong woman who fought for her country and at the same time paved a path for herself in the workforce.Slide3
The Unknown
Created for
Westinghouse Electric and Manufacturing
Westinghouse did not employ riveters
The work does indicate “Rosie” at all
Internal bulletin board work
Displayed for two weeks (Feb 15-28 1943)Slide4
Recovery from the Archival Abyss
Created by J. Howard Miller
Not widely seen
Image part of
a large series
Rediscovered and published in 1982
Washington Post Magazine
article
Featured Geraldine Hoff Doyle, Doyle unaware until the 1980’sDoyle worked briefly as a metal presser at an inkster in Michigan Slide5
How the Real Rosie Began
A song written by
Redd
Evans and John Jacob Loeb entitled “Rosie the Riveter”Performed by many groups over the years, but made popular in versions by The Four Vagabonds and James Kern “Kay” Kaiser
The Four Vagabonds Version
1942 song, released early ‘43 Slide6
Real Original Rosie?
The song was based on Rosalind P. Walter
Rosie (Rosalind) was actually a riveter
Returned to life after the war as homemaker
Prospered on the wealth of her family
Not the traditional Rosie story as it is remembered todaySlide7
Rockwell’s Rosie
Norman Rockwell created this Rosie
Impacted by the song, just months after May 29, 1943
Clearly an image of Rosie the Riveter
3 million copies a week, plus some due to Rockwell’s statusSlide8
Powerful Elements of Rockwell’s Rosie
Uncanny resemblance to Michelangelo's Isaiah Slide9
An enemy is indicated and war is depictedSlide10
Masculine and Feminine
Rouge and Lipstick
Huge riveter
Eating
Resting (not on the job)
Loafers
“Brawny and dirty looking”
Angelic feminizing halo
Compact and handkerchiefSlide11
Rockwell Liberty Girl
Just 3 months after Rosie was published
Liberty Girl to identify that all jobs were war jobs for women
Liberty Girl did not have the same lasting popularitySlide12
More Real Rosies
Spring Up
June 1943 Rose
Bonavita
and her riveting partner or bucker, Jennie Florio set record of 900 holes and 3300 rivets in one 6 hour night shift
“The Real Rosie”
Rose Will Monroe a riveter from Michigan starred in War Bond promotional clips and a movie, in both she was portrayed as Rosie Slide13
Post War Life
Rose Will Monroe
Seamstress
Beauty Shop
O
wner
Taxi and Bus Driver
Real Estate Agent
Pilot Slide14
Wages v. Patriotism
Undoubtedly a bit of both, yet wages played a tremendous role
Wages were enticing
$35 weekly
war plants
$25 weekly manufacturing
$15 weekly sales clerk
Smithsonian Oral History Clip 1:55Slide15
3 Types of Rosies
Women who were already in the workforce and who remained in it afterwards, changed positions to higher paying and patriotic defense jobs
Generally
lower class and had to work to support
families
Women who had worked in the past, but lost their jobs to the Depression
During
the Depression women were discouraged from trying to have jobs, a lot of women who had jobs in another wartime, WWI
First time workers
Primary targets of ad campaigningSlide16
Black Rosies
Black women had for the most part already been on the workforce
Wartime presented better job opportunities and higher wages
Although black women represented
Rosies
they were not depicted in the propagandaSlide17
Post War Jobs?
Once men returned from the war women were encouraged to head back home
Higher wages did not continue
Baltimore: $50 per week 1944, $37 in 1946
Rose Will Monroe – continued working in just about every capacity (rare case)
Most of the iconic Rosie women returned to family lifeSlide18
Rosie Truly?
During the mid-70’s to mid-80’s and 6 or 7 years ago, surges of scholarship denying the symbolic feminist nature of the Rosie image came to fruition
Criticizing both the origins of the Miller “Rosie” and the legitimacy of the propaganda being reclaimed as a
women in the workforce movement Slide19
Rosie the Riveter Today
Rosie, the icon and the ideology, represents a figure that sparked rapid growth in women joining the workforce and in brand new capacities
One thing is for certain, levels of female employment in America have never fallen below the levels at the beginning of the war Slide20
Commemoration
Rosie the Riveter World War II Home Front National Historical Park
Richmond, California on the site of a former Kaiser shipbuilding location sits the “Rosie the Riveter memorial”
Dedicated Oct. 14, 2000 Slide21
Rosie in Archives
Many of the Rosie the Riveter Collections are
o
ral histories describing the experiences in individual
Rosies
Eastern Oklahoma County Regional History Center – Over 60 oral histories
J. Howard Miller’s image has ranked in the top ten requested historic images from the national archivesSlide22
Rosie Organizations
American Rosie the Riveter Association (ARRA)
Rosies
Rosebuds
Rivets
All of ARRA’s merchandise features J. Howard Miller’s “Rosie”Slide23
The Many Faces of Rosie
Rosie has taken on many roles being a popular and unregulated copyright-wise imageSlide24
Questions:
Is Rosie the Riveter still a positive symbol for working women to identify with?
What are the apparent differences between the Rockwell and the Miller Rosie?
Should archivists be actively seeking out more information on this iconic Rosie ideal rather than focusing on oral histories?
After seeing this presentation who is Rosie to you?
Working class women, wartime work only middle class housewives, anyone involved with war efforts, women who worked in men’s jobs
Do the working class women in wartimes have a claim on the title
of Rosie?
Do you think the Rosie praising reflectors seek to cover up or ignore the financial gains of taking a wartime defense position?
Why do you think Rosie the Riveter’s image has been taken and transformed so readily in the recent past?