Spiderman Turn Off The Dark A Case Study Michael Barrett Eileen Bernardo Kathryn Hutchinson Mindy Romero Arien Rozelle Step 1 The Players Study the Details and Determine the Relevant Facts of the Case ID: 278273
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The Ethics of Exploitative Entertainment:“Spider-man: Turn Off The Dark”A Case Study
Michael Barrett
Eileen Bernardo
Kathryn Hutchinson
Mindy Romero
Arien
RozelleSlide2
Step 1: The PlayersStudy the Details and Determine the Relevant Facts of the CaseSlide3
INTRODUCTIONRock musical Book written by Julie Taymor and Glen Berger Based on comic book
Most expensive Broadway production in history
The longest preview period ever
$65 million dollarsSlide4
Julie TaymorProducer/Director/ Co-Writer
Bono
Musical Composer & Lyricist
The Edge
Musical Composer & Lyricist
Glen Berger
Co-writer
Cast of Characters
(
Primary Agents)Slide5
Source: The Daily BeastRelevant Facts: A TimelineSlide6
Jan 13: After multiple injuries, bad reviews and more opening delayed again to March 15thFeb 7th: The New York Times called it a “national joke” saying: “The sheer ineptitude of this show, inspired by the Spider-Man comic books, loses its shock value early. After 15 or 20 minutes, the central question you keep asking yourself is likely to change from “How can $65 million look so cheap?” to “How long before I’m out of here?” – Ben Brantley, Chief Theater Critic
Relevant Facts: A Timeline
Source:The
New York TimesSlide7
Feb 12: Labor Dept. issues two safety violations Feb 16: The $65 million production pushed back a 5th time to a March 15th opening night Critics give scathing reviews Songwriters Bono and The Edge bring in their producer to hone the music After a slew of injuries, production has been fine-tuning their craft
Feb 27:
Spider-Man
might push back its opening until June (6
th
delay)
March 2:
The cast of
Spider-Man
performed on “Letterman”
As of press time, opening day is March 15
th
.
Producers are deciding this week whether to open the show as planned on March 15
th
or delay it for a sixth time.
Relevant Facts: A TimelineSlide8
THERE’S A LOT TO LOSE: REPUTATION AND MONEYRELEVANT CASE STUDIES
Relevant Facts: A TimelineSlide9
Step 2: “Good” vs. “Bad” Identify the relevant moral criteriaSlide10
Four Key Decision MakersPressPublicShareholders (Investors)
Creative
Team
(Writers, Producers, Directors) Slide11
The PressObjective: Inform the publicDuty to uphold Broadway’s “agreement” not to print a review until after opening night. Duty to get publicity for the paperDuty to themselves to develop their craft, skills and careerSlide12
The PublicObjective: To be an informed consumerBuy a ticket for entertainmentPersonal BenefitBuy a ticket as patron of the artsSocial BenefitSafety Issues:Do they abstain as a personal statement and action to protect actors?
Do they buy ticket?Slide13
ShareholdersTaymor, Berger, Bono, The EdgeObjective: To maximize the return on their investment, but doing so puts
people in harm’s way
.
W
hat
should motivate their
decision?
The return?The well-being of the actors?Slide14
Creative TeamTaymor, Berger, Bono, The EdgeObjective: To produce an award-winning, profitable production, but doing so puts people in harm’s way.Duty to themselves; to develop their craft, skills and career.
Duty to not harm others and improve conditions
Duty to be honest and do what’s in the shareholders’ best interestSlide15
Changes to Normative Standards:Delayed OpeningChange the nature of “previews” for technically complicated musicals/playsChange pricing for previewsActors’ Equity could reconsider number
of hours a week an expensive show in trouble can rehearse without overtaxing
cast
and
crewSlide16
Step 3:How the Mighty Have FallenIdentify the Value ConflictsSlide17
The Value Conflicts:
Doorley
& Garcia
Morality
Legality
Ethics
Principles of “Duty” & Selfish Behavior
Egotism & The Value of Justice
Consequences:
Financial Investment
Labor ViolationsSlide18
What Makes this Case Controversial?Slide19
The Matter of Ego: The Primary ConflictAristotleHabits in Appropriate CircumstancesSt. Thomas AquinasPrideMachiavelliA Stable State (Chapter XV)
Images Courtesy of Wikipedia.orgSlide20
Execution Over EgoCORRECT INCORRECTSlide21
Step Four: The Show Must Go On?Determine the Possible Courses of ActionSlide22
Page Principles as Ethics GuideTell the truthProve it with actionListen to the customerManage for tomorrow
Conduct public relations as if the entire company depends on it
Realize a company’s true character is expressed by its people
Remain calm, patient and good-humoredSlide23
What’s Next? Option #1: Do NothingOption #2: Revise the Current ShowOption #3:
Close the Show NowSlide24
Decision-Making MatrixPrinciple/Action
Do Nothing
Revise
Shut Down
Tell the truth
✔
✔
Prove it w/action
✔
✔
Listen to the customer
✔
Manage for tomorrow
✔
Company depends on PR
✔
✔
✔
True character=people
✔
✔
✔
Calm, patient &
good-humored
✔
✔
✔Slide25
Step 5:The Utilitarian ApproachChoose the Best Course of ActionSlide26
The Best Course of ActionUtilitarianism: greatest amount of good for the greatest amount of people Tweak the show!Shareholders to hire a general managerManage decisionsControl costsRevise scriptRepair, rebuild and revive Safety firstBroadway’s dedication to entertainment
Spider-man enthusiasts and others see final product
Employment retention
“The Comeback Kids”Slide27
The Best Course of ActionBest Case Scenario: Addams FamilyMixed to negative reviews Consistent:100% capacity3rd in gross to “Wicked” and “The Lion King”Success: beloved brand-name title, star power, nostalgia and successful marketingWorst Case Scenario: Charlie SheenTrain wreck with no conductorBad press is not always good pressNegative ‘N score’Slide28
Q & A