PDF-ARSC Technical Committee Preservation of Archival Sound Recordings Ver

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brPage 1br ARSC Technical Committee Preservation of Archival Sound Recordings Version 1 April 2009 General Principles and Guidelines brPage 2br brPage 3br Metadata

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ARSC Technical Committee Preservation of Archival Sound Recordings Ver: Transcript


brPage 1br ARSC Technical Committee Preservation of Archival Sound Recordings Version 1 April 2009 General Principles and Guidelines brPage 2br brPage 3br Metadata Related Data a. Anne Gilliland. University of California Los Angeles (UCLA). Archives are a critical component of how many societies remember, are held accountable, and generally conduct their affairs. . Archives are concerned with recorded information and how it can bridge time and space and remain meaningful and useful. . Distress. An ATC Workshop. Letters. Diaries. Newspaper articles. Books. Photographs. Scraps of clothing. Locks of hair. What is a record?. Derangement and Description Comic. What, exactly, is preservation?. streaming recital recordings. Ready, Set ….. Wait for it . …... Current Collection. Baylor School of Music. About 400 students. Roughly 300 performances. 225 recordings. 35 Graduate recitals. No criteria for what is and is not recorded. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Preservation and Archiving Special Interest Group (PASIG) . Boot Camp. . Tom Cramer. Chief Technology Strategist. Stanford University Libraries. PASIG Digital Preservation Boot . camp. PASIG Digital Preservation Boot . Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . LTDC Virtual Showcase . Jason . Woldt. Assistant Professor-Supply Chain Management . School of Business. University of Wisconsin- Platteville . Agenda . What are screen . r. ecordings?. What is needed?. Kathy Glennan. Head, Special Resources Cataloging / Music Cataloger. University of Maryland. October 26, 2011. Using RDA and…. Library of Congress Policy Statements. Other policy and training documents under development. Institutional Sound Recordings. Eric Harbeson. University of Colorado, Boulder. Music Library Association. Pan-American meeting. 23 February, 2017. Ground Rules. I’m here to talk about my research, not to give legal advice.. Maristella Feustle. Music Special Collections Librarian. University of North Texas. MLA 2017, Orlando, FL. 2/24/2017. Competing goods. Ethical questions seek to reconcile competing goods. That’s why they’re difficult.. Oliver Keeble. DOMA. “The WLCG DOMA project consists of several activities in the area of Data Organization, Management and Access, with a focus on the medium/long term . evolution”. https. ://. twiki.cern.ch/twiki/bin/view/LCG/DomaActivities. , Greensbo “It’s a smat buy!We sve mony andenhance our copayimae wih heRevi ear Shit.”Greg Johns – OwnerJohns PHACGreensboo NC“Discveing evi ear has been a otunae vent for us. 1 Paramo Seedeater ( Catamenia homochroa ) Peter Boesman In the following we briefly analyze and compare voice of the t hree races of Paramo Seedeater ( Catamenia homochroa ) . We also try to quant kindly visit us at www.nexancourse.com. Prepare your certification exams with real time Certification Questions & Answers verified by experienced professionals! We make your certification journey easier as we provide you learning materials to help you to pass your exams from the first try.

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