PPT-Visual Persuasion in a Litigation Trial: The Case of Real Photographic Images vs. Sketched

Author : pamella-moone | Published Date : 2019-11-02

Visual Persuasion in a Litigation Trial The Case of Real Photographic Images vs Sketched Images This study was designed to determine which kinds of graphic images

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Visual Persuasion in a Litigation Trial: The Case of Real Photographic Images vs. Sketched: Transcript


Visual Persuasion in a Litigation Trial The Case of Real Photographic Images vs Sketched Images This study was designed to determine which kinds of graphic images were most useful as evidence in trials. A Case Study of . Matrix. Certain Cinematic Tendencies. in the 1990s. The Matrix . (1999). Written and Directed by Andy and Larry . Wachowski. Certain Cinematic Tendencies. in the 1990s. A short synopsis. Experience Through Language (Distinctively Visual). Core text:. The Shoehorn Sonata. John Misto. What does the syllabus say?. In their and students explore the ways the images we see and / or visualise in texts are . Students consider how the forms of of different texts create these images, affect interpretation and . Students examine their , in addition to other texts providing examples of the distinctively .. Rediscovery of . mental . imagery . in the 1950s marked the . return of . cognitive . concepts within . a behaviorist context.. The term . mental image. has . been universally assumed to . mean a . conscious. Imagery and Memory. Memory Examples: Dual . Code Theory. To recall Y you must first recall X. Windows, doorknob, glasses, other facial features, . global-to-local. But: Something like the same thing happens in recall of alphabet letters and many other memorized lists. Visual Persuasion. Representational images tend to prompt emotional reactions. Once our emotions are excited, they tend to override our rational faculties. Skillful . rhetors. attempt to increase the PRESENCE of elements in the rhetorical situation that are favorable to their claim. . Imagery and Memory. Memory Examples: Dual . Code Theory. To recall Y you must first recall X. Windows, doorknob, glasses, other facial features, . global-to-local. But: Something like the same thing happens in recall of alphabet letters and many other memorized lists. DTC Qualitative . Research . Methods. Dr Alice Mah. Department of Sociology. a.a.mah@warwick.ac.uk. Lecture Outline. Visual sociology and visual methods. Discussion (10 minutes). I. Analysing . existing . Visual Literacy . Visual Literacy Presentation. John W. Berry . August 25, 2011. Gestures. Facial Expressions. Objects. Signs & symbols. Visual Communication . takes . many forms…. In Art. Visual Sign Systems are everywhere…. DTC Qualitative . Research . Methods. Dr Alice Mah. Department of Sociology. a.a.mah@warwick.ac.uk. Lecture Outline. Visual sociology and visual methods. Discussion (10 minutes). I. Analysing . existing . Object Recognition – . BoF. models. 790-133. Recognizing People, Objects, & Actions. 1. Topic Presentations. Hopefully you have met your topic presentations group members?. Group 1 – see me to run through slides this week or Monday at the latest (I’m traveling Thurs/Friday). Send me links to 2-3 papers for the class to read.. Rediscovery of . mental . imagery . in the 1950s marked the . return of . cognitive . concepts within . a behaviorist context.. The term . mental image. has . been universally assumed to . mean a . conscious. Copyright (c) . 2014 . Pearson Education, All Rights Reserved. 1. Prepared by Robert Gass and John Seiter. iMAGE IS EVERYTHING. In Communication Studies, visual persuasion is often overlooked, neglected. Visual Persuasion in a Litigation Trial: The Case of Real Photographic Images vs. Sketched Images This study was designed to determine which kinds of graphic images were most useful as evidence in trials. Research . Methods. Dr Alice Mah. Department of Sociology. a.a.mah@warwick.ac.uk. Lecture Outline. Visual sociology and visual methods. Discussion (10 minutes). I. Analysing . existing . images. II. Producing visual methods during fieldwork.

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